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Willy Rodriguez: In The Unknown (I Will Find You)
by Alberto Bazzurro
Il batterista portoricano Willy Rodriguez, ormai newyorchese d'adozione, dirige in questo che è il secondo album a sua firma un trio anomalo, ma neanche troppo, con una tastiera in luogo del più canonico contrabbasso (bassless, come si dice), generando una musica scura (però anche qui solo fino a un certo punto) in cui appare decisivo l'apporto del sax--soprattutto tenore--di Ingrid Laubrock, da tempo ai vertici assoluti del tenorismo (quanto meno) contemporaneo, musicista affidabilissima che sembra proprio trattare la materia che ...
Continue ReadingWilly Rodriguez: In The Unknown (I Will Find You)
by Pierre Giroux
There are recordings that announce themselves with polish and calculation, and there are those born of necessity. In the Unknown (I Will Find You) by drummer Willy Rodriguez clearly falls into the latter category; a heartfelt reflection on absence, memory, and the unseen threads that connect us beyond time. Recorded at the esteemed Rudy Van Gelder Studio, the album carries the echoes of that room's storied history without relying on it. Rodriguez's choice to omit the bass is not just ...
Continue ReadingAllan Harris: Live At The Blue LLama
by Dave Linn
Allan Harris has had a varied musical journey. Brooklyn-born, he grew up surrounded by the sounds of jazz, blues, and R&B. His mother often played records by artists like Nat King Cole, Ella Fitzgerald and Sarah Vaughan. These influences shaped his musical sensibilities and inspired him to pursue a music career. He recorded his debut album, Setting The Standard (Love Records) in 1994 at the age of 38. Over the next 27 years, he released 12 more records ...
Continue ReadingLa nicchia del canto jazz maschile
by Angelo Leonardi
A eccezione di pochi nomi--in particolare Kurt Elling, Gregory Porter, Bobby McFerrin e il veterano Tony Bennett--il canto jazz maschile è nettamente sottoesposto rispetto a quello femminile. Esempi eclatanti di questo sono stati Jon Hendricks e Mark Murphy, scomparsi di recente senza aver avuto la considerazione che meritavano. Allan Harris e Fred Farell sono due interpreti sessantenni dai percorsi e dalle coordinate stilistiche diverse ma accomunati da una carriera artistica di nicchia. Harris ha ottenuto il primo ...
Continue ReadingAllan Harris at SMOKE Jazz & Supper Club
by Peter Jurew
Allan Harris SMOKE Jazz & Supper Club New York, NY September 28, 2016 Allan Harris was born in Brooklyn to a tight-knit family that loved music. His mother was a classical piano prodigy who grew up in Harlem and graduated in the first class of the High School Of Performing Arts, along with her friend, Arthur Mitchell, the noted dancer, choreographer and co-founder of the Dance Theatre of Harlem. Allan grew up hearing a wide ...
Continue ReadingAllan Harris & Takana Miyamoto: Convergence
by C. Michael Bailey
Allan Harris & Takana MiyamotoConvergenceLove Production Records2012 A nostalgic trend that has gained traction in the last decade is that of bands (generally jam bands) performing “classic" rock albums live in their entirety, typically on Halloween or New Year's Eve. Some of the more notable examples of this include Phish's recent covers of the Rolling Stones' Exile on Main St. (Self Produced, 2009), Little Feat's Waiting for Columbus (Self Produced, 2010), ...
Continue ReadingAllan Harris & Takana Miyamoto: Convergence
by Dan Bilawsky
The eternal bond between piano and voice in jazz was cemented long before pianist Bill Evans and vocalist Tony Bennett ever took to the studio together, but they elevated this union of sounds to artistic heights ne'er before attained. Bennett and Evans erased the notions of vocals on top and pianist-as-mere-accompanist with The Tony Bennett/Bill Evans Album (Fantasy, 1975) and its less glorified follow-up, Together Again (Improv, 1977). They created a synergy in song craft that few before or since ...
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