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Jazz Articles about Makaya McCraven

15
Live Review

Makaya McCraven At Barbican Centre

Read "Makaya McCraven At Barbican Centre" reviewed by Chris May


Makaya McCraven with London Contemporary Orchestra Barbican Centre, Main Hall In These Times London November 11, 2023 Jazz, said Whitney Balliett in 1958, is the sound of surprise. The New Yorker critic, who passed in 2007 but remains one of jazz literature's most felicitous writers, was describing jazz in a broad generic sense. Yet the aphorism applies equally well to the London concert premiere of Makaya McCraven's In These Times (International Anthem, ...

6
Catching Up With

Makaya McCraven: In The Moment to In These Times

Read "Makaya McCraven: In The Moment to In These Times" reviewed by Rob Garratt


Makaya McCraven needs a coffee--fast. It's 4pm and he's crashing. It will be his third of the day. His first caffeine hit, consumed on stage six hours earlier, was a chemical necessity; McCraven was drinking at a nearby Irish pub until the early hours and nearly missed his early morning panel talk appearance alongside fellow percussion luminaries Antonio Sanchez and Nate Smith. Something tells me it won't be his last cup before bedtime--at 10:30 tonight the multi-hyphenate musician will present ...

6
Album Review

Brandee Younger: Brand New Life

Read "Brand New Life" reviewed by La-Faithia White


American harpist and composer Brandee Younger fuses hip hop, classical, funk and jazz on Brand New Life. Younger became a Grammy award nominee for her label debut. Brand New Life features new works inspired by her hero, harpist Dorothy Ashby. “You're A Girl For One Man Only" written by Younger and Ashby, has reinterpretations of Dorothy Ashby; a beautiful, meditative love song and nice collaboration with the vibraphone; a smooth introduction with Younger and drum snares. “Brand New ...

1
Album Review

Makaya McCraven: Deciphering the Message

Read "Deciphering the Message" reviewed by Angelo Leonardi


Il debutto in casa Blue Note di Makaya McCraven è un omaggio alla storia musicale dell'etichetta, espresso ovviamente in prospettiva personale. Come ha fatto nei suoi dischi recenti—e in particolare nell'omaggio a Gil Scott-Heron (We're New Again, XL Recordings 2020)-il batterista e produttore di Chicago usa creativamente la tecnologia sperimentata dai DJ e produttori di hip-hop e club culture, in prospettiva nuova. Il classico repertorio Blue Note degli anni cinquanta e sessanta suscita l'attenzione delle subculture giovanili ...

5
Live Review

Rinascita a Chicago: le gemme dell’etichetta International Anthem

Read "Rinascita a Chicago: le gemme dell’etichetta International Anthem" reviewed by Angelo Leonardi


Non è casuale che l'etichetta indipendente più innovativa nell'attuale panorama jazzistico (e non solo) sia nata e operi a Chicago. È noto infatti che la metropoli dell'Illinois è una delle capitali del jazz, avendo svolto un ruolo centrale in tutta la storia musicale afro-americana, talvolta paritetico con quello di New York. Nel 2014 a quasi cinquant'anni esatti dalla nascita dell'AACM (peraltro ancora vitale) grazie all'International Anthem Chicago torna a catalizzare l'attenzione del pubblico del jazz. Ovviamente non ...

Profile

La vita e la musica di Makaya McCraven

Read "La vita e la musica di Makaya McCraven" reviewed by Angelo Leonardi


Un ritratto di Makaya McCraven deve necessariamente considerare la mutazione antropologica che è avvenuta nell'ultima generazione di musicisti afroamericani che si spingono oltre la tradizionale sintesi tra jazz e generi popolari, usando creativamente la tecnologia sperimentata nell'ultimo trentennio dai DJ e produttori dell'hip-hop e della club culture. Le musiche di questo tumultuoso torrente si presentano con sempre nuove combinazioni in un caleidoscopio di suoni acustici ed elettronici, laceranti improvvisazioni su basi iterative, tecniche di campionamento e remixaggi ...

28
Interview

Makaya McCraven: Cross Border Traffic

Read "Makaya McCraven: Cross Border Traffic" reviewed by Chris May


Like his near contemporaries Shabaka Hutchings, Kamasi Washington, Nubya Garcia and Robert Glasper, the Chicago-based drummer, bandleader, producer and self-declared beat scientist Makaya McCraven is routinely described by the more breathless commentators writing about modern music as a “saviour" of jazz. Certainly, McCraven and his peers are enriching jazz by their embrace of other styles, be they hip hop, dub reggae, grime, cumbia or Afrobeat. Yet as McCraven, Hutchings, Washington, Garcia and Glasper are ready to point out, ...


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