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Jazz Articles about Ari Hoenig

Album Review

Ben Markley: Ari's Funhouse

Read "Ari's Funhouse" reviewed by Angelo Leonardi


Accade spesso nel jazz che dagli incontri estemporanei nascano le cose migliori. Il bandleader e arrangiatore Ben Markley e il batterista Ari Hoenig si sono conosciuti nel 2019 in un jazz festival del Texas. Da quell'incontro è nato questo progetto discografico, che ha visto Markley orchestrare le composizioni di Hoenig per la big band che guida a Denver. Il batterista è ospite dell'ensemble e dà il suo contributo con un vivace e articolato sostegno ritmico. L'album è stato registrato nel ...

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Album Review

Gili Lopes: Algures

Read "Algures" reviewed by Doug Collette


Bassist, composer, musical director and producer Gili Lopes is nothing if not an astute judge of talent. After all, for Algures (from an old Portuguese word meaning 'somewhere'), he has recruited a redoubtable case of accompanists, not the least of whom is saxophonist John Ellis, he of fruitful collaborations with Charlie Hunter and Miguel Zenon among others, as well as a string of diverse albums under his own name such as Dance Like There's No Tomorrow (Hyena, 2008) and Puppet ...

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Album Review

Benjamin Boone: Caught in the Rhythm

Read "Caught in the Rhythm" reviewed by Paul Rauch


The connection between poetry and jazz music is a delicate one. It has been documented so infrequently, in performance and recordings, that one still conjures the flicker of an image of Jack Kerouac reading in some dark Greenwich Village cafe with Steve Allen or Zoot Sims, surrounded by beret-wearing, cappuccino-sipping beatniks. The work of Fresno-based saxophonist Benjamin Boone has assisted in widening that view through four albums recorded for the Origin Records label, including the fourth, Caught in the Rhythm ...

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Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Jack Bowers


Eunmi Lee is a quick learner. The South Korean-born pianist, who now makes her home in New York City, did not become acquainted with or interested in jazz until a friend introduced her to the GRP Records catalogue. That was more than a year after she had received a degree in contemporary piano from the Seoul Institute for the Arts, in 2005. Eager to learn more, Lee came to California in 2007 to take part in an open house at ...

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Album Review

JD Walter: What the World Needs Now

Read "What the World Needs Now" reviewed by Pierre Giroux


JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...

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Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Dan McClenaghan


Korean-born, New York-based pianist and composer Eunmi Lee opens her debut record, Introspection with her original composition, “Gimmick." And, if there is a gimmick, it sounds as if it might be her strong compositional voice and her way with an arrangement. The tune features Alan Ferber on trombone, saxophonist John Ellis, a guitar, bass and drums rhythm section, and Lee in the piano chair. In spite of the album's title, this opener is a bright, sassy roller. Maybe the gimmick ...

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Album Review

Alex Weitz: Rule of Thirds

Read "Rule of Thirds" reviewed by Jack Bowers


Tenor saxophonist Alex Weitz's third album, Rule of Thirds, is a quartet date with guests--on seven of its nine tracks. In addition to playing tenor, Weitz wrote all but one of those numbers, Cole Porter's seductive “Love for Sale." Like many saxophonists these days, Weitz has excellent technique, which means he plays a lot of notes, and does that quite well. To his credit, he doesn't lean exclusively on that aspect of his talent, slowing the pace on several numbers ...


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