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Dan Weiss Trio: Dedication
by Troy Dostert
Approaching any Dan Weiss album requires a willingness to be challenged. From head-scratching time signatures to fascinating shifts in mood and texture, Weiss gives intrepid listeners a number of pathways into his music, and his releases always justify repeated encounters. Dedication, his latest with his regular trio partners pianist Jacob Sacks and bassist Thomas Morgan, is no exception, although what is most remarkable about this album is Weiss' lyrical sensitivity, a quality which is sometimes overshadowed on his other recordings ...
read moreChet Doxas: Rich in Symbols II
by Troy Dostert
One of Chet Doxas' more distinctive projects, Rich in Symbols (Ropeadope, 2017), involved the saxophonist/clarinetist engaging the 1980s art movement of New York's Lower East Side, composing pieces that reflected his deep interactions with some of those iconic paintings. Now he has done the same with artists from his native Canada: specifically, the Group of Seven, a movement of landscape artists who were active from the early 1910s through the first years of the 1930s. By selecting several of their ...
read moreJacob Garchik: Assembly
by Hrayr Attarian
Trombonist and composer Jacob Garchik is versatile and restlessly inventive. His past work has ranged from a brass-only orchestra to a guitar-heavy ensemble as well as a unique take on gospel music. His sixth release, the provocative Assembly, evokes film soundtracks with a touch of fantasy. The nine originals make a cohesive whole with a creative momentum which does not slack. The opening track “Collage" has two distinct layers; in the background Garchik and soprano saxophonist Sam Newsome ...
read moreJacob Garchik: Assembly
by John Chacona
Trombonist Jacob Garchik has an interest in musical subtraction. His 2012 release The Heavens: The Atheist Gospel Trombone Album (Yestereve Records) presented religious music stripped of religion. Clear Line (Yestereve Records) from 2020 featured a 13-piece big band with no rhythm section. Now comes Assembly, an inquiry into what a jazz quintet sounds like when added to itself. Garchik declares both method and intent in his song titles; the first three cuts are “Collage," “Pastiche" and “Bricolage." The ...
read moreJacob Garchik: Assembly
by Mark Corroto
As a consequence of the global pandemic, we have been schooled in the science of virology. Under certain conditions viruses mutate and reorganize into something completely new. That is bad. Mutations can also be heard in the adventurous music of Jacob Garchik. That is good. His trombone leads his Atheist Gospel Trombone Album, his big band, plus Banda de los Muertos, a Mexican brass band. He can be heard in ensembles lead by Anna Webber, Henry Threadgill, Mary Halvorson, John ...
read moreTom Rainey Obbligato: Untucked In Hannover
by Dan McClenaghan
Tom Rainey Obbligato is drummer Rainey's jazz standards group. Untucked In Hannover is the first live album of a triptych. It follows Obbligato (2014) and Float Upstream (2017), both on Intakt Records. Great American Songbook tunes hammered and bent and stretched away from expectations into new shapes is the name of the game, an approach which runs parallel to that of Lee Konitz, especially the alto saxophonist's late career outings, including Live At the Blue Note (Half Note, 2012) and ...
read moreOhad Talmor: Long Forms
by Glenn Astarita
New York City-based tenor saxophonist, composer, arranger Ohad Talmor and associates provide all the 'jazz' news fit to hear on this superb effort, comprised of thorny time signatures, shifting detours and offbeat mini-grooves, enamored with the leader's whizzing solos and more goodness. Acclaimed due to his arrangements for the late sax great Lee Konitz and affiliations with top-shelf musicians on a global basis, Talmor's multidirectional works often proceed with a semblance of micro-suites, embedded with simmering, odd-metered passages, and fluctuating ...
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