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Jazz Articles about Ken Fowser

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Album Review

Ken Fowser: Morning Light

Read "Morning Light" reviewed by David A. Orthmann


Throughout Morning Light, Ken Fowser's latest Posi-Tone Records release, he poses a welcome alternative to the fast-lane excesses of some of his peers on the tenor saxophone. The first thing that sets him apart is a medium-weight tone which doesn't crave attention or take up too much room. His sound sets an example to the rest of the band and discourages an overly aggressive, no-holds-barred approach to the music as a whole. Fowser's eleven serviceable, original compositions spring from recognizable ...

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Radio & Podcasts

New Music from Ken Fowser

Read "New Music from Ken Fowser" reviewed by Bob Osborne


The featured album this week is the new release from Ken Fowser Fowser reflects upon the ephemeral aspects of nature to uncover a series of inspirations hidden in the broken fragments of our cultural existence on his latest release with a captivating program of new compositions. He continues to demonstrate a strong and well refined vision for his own music as a leader and composer that is both emotionally engaging and entertaining. With a delicate balance of modernity ...

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Album Review

Ken Fowser: Don't Look Down

Read "Don't Look Down" reviewed by Paul Rauch


Ken Fowser arrived in New York City in 2005 after being raised in the rhythmic legacy of the Philly sound. Playing with a deep harmonic sensibility, often sidestepping traditional harmony, Fowser has since created a sound that bears the pure physicality of the Philadelphia tradition refined by his experience in Gotham. His sound conjures audible images of George Coleman, as much as Philly legends Benny Golson and Jimmy Heath. His creative drive inspired by these pure jazz legacies has been ...

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Album Review

Ken Fowser: Now Hear This!

Read "Now Hear This!" reviewed by C. Andrew Hovan


Taking a cue from some of the other smaller jazz-based labels, Posi-Tone has done a remarkable job over the past few years of building a roster of budding talents worthy of wider recognition. Part of the allure of such an endeavor is the ability to see the evolution of an artist's muse unfolding like a rose. Those in the know have heard from tenor saxophonist Ken Fowser through his partnership with vibraphonist Behn Gillece via the four albums the two ...

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Album Review

Ken Fowser/Behn Gillece: Top Shelf

Read "Top Shelf" reviewed by Dan Bilawsky


The team of tenor saxophonist Ken Fowser and vibraphonist Behn Gillece has been steadily releasing music of a similar nature on the Posi-Tone label since its 2009 debut, Full View, hit the shelves. With this, the duo's fourth album, Fowser and Gillece continue along the same path with nary a stylistic sharp turn, yet this one manages to stand out because of one important difference: a third man out front. The three previous recordings were leaders-and-rhythm dates but, with Top ...

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Album Review

Ken Fowser and Behn Gillece: Duotone

Read "Duotone" reviewed by Bruce Lindsay


The tenor and vibes partnership of Ken Fowser and Behn Gillece has already established its credentials as an imaginative and innovative creator of cool-swinging straight-ahead jazz. Duotone, the duo's third album, reinforces those credentials with a fresh set of original tunes. As with their previous Posi-Tone releases--Full View (2009) and Little Echo (2010)--Duotone is a quintet recording. Each albums features a different rhythm section, and whether this is a deliberate strategy or not, it gives them variation ...

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Album Review

Ken Fowser / Behn Gillece: Duotone

Read "Duotone" reviewed by Dan Bilawsky


"Duotone" is a term that belongs to the world of photography, but it makes perfect sense when applied to this recording. Tenor saxophonist Ken Fowser and vibraphonist Behn Gillece superimpose their tonal colors and personalities against one another, to create an aural portrait that's both traditional and modern. While the supporting personnel have changed on each of their three Posi-Tone dates, the basic template by which their music is designed remains, essentially, the same. On each album, ...


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