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Album Review

Jean-Paul Bourelly: Black Lives - From Generation to Generation

Read "Black Lives - From Generation to Generation" reviewed by Vic Albani


Doppio CD o doppio vinile prodotto in HI-Res e con packaging di lusso dalla Jammin'colorS, agenzia per artisti jazz, world, funk, alternativi, hip-hop, electro e sperimentali nonché etichetta indipendente. Il lavoro che ha pubblicato in tanta pompa magna è un ampio collage di musica nera realizzato da 25 musicisti africani, caraibici e afroamericani guidati dalla visione creativa di Stefany Calembert (compagna del bassista jazz Reggie Washington) e produttrice estemporanea dell'etichetta belga. A tutti è stato chiesto di comporre ...

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Album Review

Various Artists: Black Lives - From Generation to Generation

Read "Black Lives - From Generation to Generation" reviewed by Glenn Astarita


Indeed, African Americans are the architects of several musical formations, hearkening back to Scott Joplin's development of 'ragged' rhythms i.e., Ragtime, along with blues, funk, jazz, and other genres, often evolving into various tangents and offshoots. And on this comprehensively entertaining set produced by Belgian Stefany Calembert with assistance from her husband and acclaimed bassist Reggie Washington, they righteously bestow Black Music as a “source of moral truth and potent weapon against racism." Numerous stars such as saxophonist ...

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Album Review

Dave Douglas and Keystone: Moonshine

Read "Moonshine" reviewed by Matthew Miller


Dave Douglas is not your typical iconoclast. The progressive trumpeter--a mainstay of John Zorn's Masada and more typically avant-garde groups--favors an understated upheaval in his efforts as a leader, courting, in the words of writer Andy Battaglia “tradition and progression without puzzling over the difference." On Moonshine, his second album with Keystone, a sextet featuring Marcus Strickland (saxophone), Adam Benjamin (Fender Rhodes), Brad Jones (bass), Gene Lake (drums) and DJ Olive (turntables and laptop), Douglas once again focuses his modernist ...

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Album Review

Dave Douglas & Keystone: Moonshine

Read "Moonshine" reviewed by AAJ Italy Staff


Originariamente concepito come progetto di sonorizzazione dei film dello sfortunato comico degli anni Venti, Roscoe “Fatty" Arbuckle [clicca qui per leggere la recensione del disco di esordio di questa formazione], il sestetto Keystone del trombettista Dave Douglas ha da subito dato l'impressione di non essere una prova isolata, una semplice divagazione, ma di ampliare il percorso intrapreso con il quintetto “elettrico" [ormai strutturatosi in una sua, per quanto stimolante, classicità], dimostrandosi più aperto a influenze della natura più varia. Questa ...

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Album Review

Dave Douglas & Keystone: Moonshine

Read "Moonshine" reviewed by Mark F. Turner


As one of jazz's most omnivorous thinkers, trumpeter/composer Dave Douglas continues to explore ideas outside of the norm. Moonshine is a continuation with Keystone--an electric sextet that includes Marcus Strickland (saxophones), Adam Benjamin (Fender Rhodes), Brad Jones (bass), Gene Lake (drums), and DJ Olive (turntables)--exploring in music, the life and art of 1920s silent film actor/director Roscoe “Fatty" Arbuckle, whose career was abruptly ended when he was falsely accused of murder. Whether or not Douglas' odd juxtaposition ...

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Album Review

Dave Douglas & Keystone: Moonshine

Read "Moonshine" reviewed by John Kelman


It's unlikely that Dave Douglas expected the Grammy-nominated Keystone (Greenleaf Music, 2005) to turn into an ongoing project, but as a parallel to his quintet of the past half decade, the trumpeter has forged a distinct entity with the group he now calls Keystone. This sextet shares some commonality with the quintet responsible for Meaning and Mystery (Greenleaf, 2006), but there are just as many differences, if not more. Moonshine affirms that Keystone is a band with a very different ...

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Album Review

Dave Douglas: Keystone Live in Sweden

Read "Keystone Live in Sweden" reviewed by John Kelman


In the early days of silent film, scores were played live, most often by a single musician--simplifying the response to the on-screen activities. In recent years artists like guitarist Bill Frisell and clarinetist Louis Sclavis have upped the ante by combining composed music with improvisation on silent film scores for small ensembles, making the coordination of sight and sound much more challenging.

Trumpeter Dave Douglas' Keystone (Greenleaf, 2005) is another contemporary entry, a two-disc release including a DVD of the ...


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