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![]() | Surf Ride (Savoy, 1952) Completely flawed in assembly and annotation, Surf Ride is nevertheless the superb example of the young Pepper in full bloom. A perfect juxtaposition to Roadgame. |
![]() | Meets The Rhythm Section (Contemporary/OJC 1957) Rusty from inactivity, angry from surprise, and very very high, Art Pepper produces a masterpiece from chaos with none other than Miles Davis's first great quintet rhythm sectionTHE Rhythm Section: Red Garland, Paul Chambers, and Philly Joe Jones. |
![]() | Art Pepper + Eleven: Modern Jazz Classics (Contemporary/OJC 1959) Fueled by smart Marty Paich arrangements, Pepper and his West Coast companions perform a dozen modern jazz classics in their own imagebeautiful, brilliant, and dangerous. "Walkin'" on the clarinet. |
![]() | Gettin' Together (Contemporary/OJC 1960) Again with Miles's rhythm section, but from the Kind of Blue combo (Wynton Kelly, Paul Chambers, Jimmy Cobb). Conte Candoli adds his brass for an octet of tunes crowned by the bassist's "Whims of Chambers." |
![]() | Smack Up (Contemporary/OJC 1960) Recorded in between court dates and prison, the listener would never know the turmoil of Pepper's life. Jack Sheldon joins in front and Pepper extends with Ornette Coleman's "Tears Inside." |
![]() | Intensity (Contemporary/OJC 1960) Completed shortly before a 15-year absence from performing and recording, Intensity displays Pepper's indistinguishable spirit. "Autumn Leaves" and "Come Rain or Come Shine" say it all. |
![]() | Living Legend (Contemporary/OJC 1975) What a long, strange trip it's been. This is not the same Art Pepper of the 1950s, quiet and well-behaved. This is Art Pepper in anger therapy, wailing from the analysis couch. |
![]() | Winter Moon (Galaxy/OJC 1980) One of the finest of all "with strings" offerings. Pepper is aided in his vision by exquisite Bill Holman and Jimmy Bonds arrangements and an eclectic and intelligent choice of material. "The Prisoner" (from The Eyes of Laura Mars) will leave you speechless. |
![]() | Roadgame (Galaxy/OJC 1981) Art Pepper at the Maiden Voyage Club was more fully realized in his vision that he was four years earlier at the Village Vanguard. Pepper soars on these sides in the company of perhaps his greatest working quartet. |
![]() | Goin' Home (Galaxy/OJC 1982) A musical love affair with his favorite pianist, George Cables. Like "with strings" recordings, many horn players like to make duet albums. Goin' Home is a fine one, along with her sister, Tête-à-Tête. |
![]() | The Complete Village Vanguard Sessions (Contemporary 1977) Art Pepper at his ragged best in 1977. With superb accompaniment by George Cables, George Mraz, and Elvin Jones, Art Pepper defined his later career with these corrosive performances. |
![]() | The Complete Galaxy Recordings (Galaxy 1978) The Complete Galaxy Recordings was a monumental undertaking resulting in a musical monument. Sixteen discs of the great altoist in twilight. |
![]() | The Hollywood All-Star Sessions (Galaxy 2001) Just when the Art Pepper enthusiast thought there was no more, Galaxy acquires all of Pepper's Atlas sides made as an ostensible sideman while under contract with Galaxy. A relaxed and brilliant Pepper, here he is not driven, only dedicated. |