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Johnny Hodges

Born:
"Never the world's most highly animated showman orgreatest stage personality, but a tone so beautiful itsometimes brought tears to the eyes, this was JohnnyHodges. Because of this great loss, our band will never sound the same. Johnny Hodges sometimes sounded beautiful, sometimes romantic, and sometimes peoplespoke of his tone as being sensuous. With the exception of a year or so, almost his entire career was with us. So faras our wonderful listening audience was concerned, therewas a great feeling of expectancy when they looked up andsaw Johnny Hodges sitting in the middle of the saxophonesection, in the front row.I am glad and thankful that I had the privilege of presenting ohnny Hodges for forty years, night after night. I imagine I have been much envied, but thanks to God...” Duke Ellington eulogy.
Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom

by Jack Kenny
The concept of a musical supergroup" is hardly new. It could be argued that Charlie Parker and Dizzy Gillespie's assembly at Massey Hall in 1953 was an early example. This legendary bebop concert, despite the undeniable talent on stage, famously showcased clashing egos, particularly with a less-than-healthy Bud Powell. Charles Mingus even had to re-record his ...
Final Recordings of Swing Era Masters: Mary Lou Williams, Artie Shaw, Django Reinhardt and more

by Larry Slater
There are many facets to great artists' careers, from their earliest musical adventures to their final recordings. Some lose their remarkable musical facilities as age, illness or drug abuse takes its toll, while others maintain their mastery until their final performance.The swing era was particularly tough on musicians, with the demands of constant travel ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
The Music of Hoagy Carmichael, part 2

by Larry Slater
This is the second hour dedicated to the music of Hoagy Carmichael, the most jazz oriented of all the American songwriters. His output was remarkably varied, and without a signature style that characterized the theater composers like Jerome Kern or Cole Porter. Carmichael composed several hundred songs, including 50 that achieved hit record status. ...
Duke Ellington's Concert of Sacred Music

by Chuck Lenatti
In 1964, Dean D.J. Bartlett and the Reverend John S. Yaryan invited Duke Ellington and his orchestra to present a concert to consecrate the renovated Grace Cathedral on Nob Hill in San Francisco during a year-long festival of Grace. At first, Duke demurred. In his autobiography, Music Is My Mistress (Da Capo, 1976), Ellington ...
Jack Chambers: Rethinking Duke Ellington

by Jack Kenny
Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...
A Tone Parallel to Duke Ellington: The Man In The Music

by Jack Kenny
A Tone Parallel to Duke Ellington: The Man In The Music Jack Chambers 259 Pages ISBN: # 9781496855756 University Press Of Mississippi2025 There are rare insights into Duke Ellington in this book from Jack Chambers, his second on Duke Ellington. Chambers has also written important books on Miles Davis ...
Prescribing Jazz: A Top Ten

by Artur Moral
National Doctors' Day is celebrated unevenly across our mistreated planet. It is absent in most countries, while it is observed as a holiday in a few. Coinciding (in the United States and Australia) with this day of recognition for a vital profession, this article is especially directed to the entire jazz-loving medical community, focusing on six ...
Kenny Garrett Speaks Through The Soul of His Jazz

by Dean Nardi
Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...