Results for "Paul Desmond"
Paul Desmond was revered for the pure, gentle tone of his alto saxophone, and the elegant lyricism of his improvisations. For seventeen years he was the lead soloist in the most commercially successful jazz combo ever, the Dave Brubeck Quartet. In an era that worshipped the frenetic, bebop style of Charlie Parker, Paul Desmond found his own sound, a tone that he claimed imitated a "dry martini." It was a sound that made him a favourite with critics and fans alike, and won him jazz poll after jazz poll. "I have won several prizes as the world's slowest alto player, as well as a special award in 1961 for quietness." He was a modest, retiring man, known to his friends for his wit and charm
by Stefano Merighi
Time OutTakes è il frutto della scoperta dell'insieme dei nastri giacenti nei vaults della Columbia, riguardanti il celebre album di Dave Brubeck, edito nel 1959. Come spesso accade per questo genere di operazioni, il supplemento di materiale che esce fuori dallo scavo coincide con versioni alternative dei medesimi brani della collezione definitiva (outtakes), ma ...
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The So You Don't Like Jazz" ...
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
by Karl Ackermann
Saxophonist Yuichiro Tokuda has been a fixture on the Tokyo jazz scene for more than a decade. However, he is unknown in the U.S.A. With his quintet, called RALYZZDIG, he has toured throughout the Middle East, Asia, Europe, and North America. Tokuda has been a finalist or winner of several global jazz competitions, and was the ...
by Chris May
Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...
by Jerome Wilson
Here are three releases of newly discovered material by iconic jazz musicians from the '50s and '60s. Two fall in line with the leaders' established legacies while the third presents its subject in surprising company. The Dave Brubeck Quartet Time OutTakes Brubeck Editions 2020 This CD consists ...
by Dan McClenaghan
If Australia is The Land Down Under," then Tasmania could be called The Land Way Down Under,' a thumbprint of a main island cut adrift from the southern hemisphere's one country continent about 12,000 years ago, at the end of the last ice age, to sit off the south western corner of the state of Victoria, ...
by C. Andrew Hovan
Even if he had never played another note following the break-up of the Dave Brubeck group in 1967, alto saxophonist Paul Desmond would have entered the history books as one of music's most brilliant improvisers. During his 17 years with Brubeck, Desmond proved himself to be an indispensable part of that quartet with a wistful and ...
By Paul Desmond
Label: Mosaic Records
Track listing: Disc One: Too Marvelous For Words; Line For Lyons; It Could Happen To You;; Just Squeeze Me;;I Wish I Knew; I Should Care. Disc Two: Just Squeeze Me; Meditation; Tangerine; Darn That Dream; Nuages; Like Someone In Love; Things Ain’t What They Used To Be.
Disc Three: Line For Lyons; Wendy; Too Marvelous For Words; When Sunny Gets Blue; Audrey; Darn That Dream; Take Five.
Disc Four: Tangerine; Wave; It Could Happen To You; Emily; Line For Lyons; When Sunny Getz Blue; Things Ain’t What They Used To Be.
Disc Five: I’ve Got You Under My Skin; Just Squeeze Me; All The Things You Are; Autumn Leaves; Wave; Nuages; East Of The Sun; [note: CD and set booklets mistakenly list “I’ve Got You Under My Skin as track 5].
Disc Six: Let’s Get Away From It All; Line For Lyons; Just Squeeze Me; My Funny Valentine; Mean To Me; Wendy; Things Ain’t What They Used To Be.
Disc Seven: Wendy; Wave; Things Ain’t What They Used To Be; Nancy; Manha De Carnaval; Here’s That Rainy Day; My Funny Valentine; Take Five.