Home » Jazz Articles » Album Review » Clark Sommers: WaBaSH
Clark Sommers: WaBaSH
Sommers' WaBaSH ensemble varies from the quartet norm in that two of its members, John Wojciechowski and Geof Bradfield, are saxophonists (who double on flute and bass clarinet, respectively). The group's fourth member is drummer Dana Hall. Sommers wrote half of the album's 10 tunes, which serve for the most part as modest launching pads for extended solos by Wojciechowski and Bradfield. Wojciechowski composed two songs, Bradfield and Hall one apiece. The remaining theme is Dave Brubeck's amiable jazz standard, "In Your Own Sweet Way."
Several numbers are transposed on the album jacket. Listeners will note that the correct sequence is Hall's second solo bass number ("Bass Intro II," track seven), followed by his "That Was Then," "In Your Own Sweet Way" and Wojciechowski's playful closing theme, "Ornette-Type-Tune." Brubeck's graceful "Own Sweet Way" reminds us that charming melody and harmony are still alive and well.
Wojciechowski plays alto sax most of the way, soprano on his showpieceHall's Middle-Eastern-influenced "Kasbah"and flute (alongside Bradfield's bass clarinet) on the latter's pensive "Contemplation." While little on this comfortable session jumps out as extraordinary, these gentlemen are seasoned pros who have been performing together for more than two decades. There is more depth here than may meet the ear on first listen.
Track Listing
Points of Reduction; Close the Loop; Bass Intro I; Kasbah; Group Solitude; Contemplation; In Your Own Sweet Way; Bass Intro II; That Was Then; Ornette-Type-Tune.
Personnel
Clark Sommers
bassJohn Wojciechowski
saxophone, tenorGeof Bradfield
saxophone, tenorDana Hall
drumsAlbum information
Title: WaBaSH | Year Released: 2026 | Record Label: Calligram Records
About Clark Sommers
Tags
PREVIOUS / NEXT
Clark Sommers Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





