All About Jazz

Home » Articles » Live Reviews

444

Umbria Jazz Winter #18 Days 1-2: December 29-30, 2010

Umbria Jazz Winter #18 Days 1-2: December 29-30, 2010
Sara Villa By

Sign in to view read count
Days 1-2 | Days 3-5

Umbria Jazz Winter #18
Orvieto, Italy
December 29, 2010-January 2, 2011
Chick Corea/Stefano Bollani Piano Duo
This year the wintery version of Italy's major jazz festival is an 18-year-old grown-up, and it shows. Its calendar reconfirmed a highly diverse mix, embellished by an increasing number of collaborations between North American, Latin and European jazz musicians.

The opening concert of this kermesse was a pearl of these heterogeneous artistic projects, one of a three concert series starring Chick Corea and Stefano Bollani. The piano duo played in the suggestive setting of Orvieto's Neoclassic Teatro Mancinelli, and the audience's excited appreciation of these two piano masters was also filled with the exquisite pleasure of knowing that its applauses and explosive shouts would result in a live record, produced by ECM.

From the very first notes of Antonio Carlos Jobims "Retrato em Blanco e Preto," it was evident that this performance's alchemy would be enhanced by the uncannily complementary nature of both pianist's identities. The musical and personal encounter assumed the shape of a meeting between a Zen monk (Corea) and a butterfly (Bollani). Corea's crystalline sound and meditative choice of pauses was counterbalanced by Bollani's surrealistic sparks, both on the piano and outside of it; tapping on the instrument's frame and dancing with happy feet while playing have both become familiar elements of the Italian pianist's energetic, yet always surprising style.

In an evening repertoire intertwining Brazilian classics (including Astrud Gilberto's "Doralice" and Jobim's "Este Seu Olhar") with improvised blues, American standards ("Darn That Dream," "If I Should Lose You") and original compositions (Corea's "Armando's Rhumba" and Bollani's "Avalsa Da Paula"), the two virtuosos displayed an incredibly harmonious capability of maintaining clearly identifiable personal traits even while playing obbligatos. When Corea sounded like the first rain of March, Bollani would reply with the more percussive tickling of a growing summer storm.

As Corea pointed out in the backstage, one of the most interesting definitions of aesthetics links the philosophical concept to both physical and emotional pleasure. A similar standpoint was particularly evident in the naturally pleasurable equilibrium of the different, yet perfectly balanced, ballets of dynamics displayed by these two pianists. Both musicians even mockingly referred to the mirror-like nature of their interpretations, when Corea showed the audience a score that a smiling Bollani argued to play sideways.


Dee Alexander's Evolution Ensemble

The morning of the second day in Orvieto started with a very peculiar reminder that women in jazz are a leading force. Dee Alexander, with her Evolution Ensemble, (featuring violinist James Sanders, bassist Junius Paul, drummer Yussef Ernie Adams and cellist Tomeka Reid —with whom Alexander also shares a place inside the AACM) opened the morning with a brilliantly vital performance.



As movingly highlighted by Alexander's comments throughout the whole concert, the aim was to present a series of compositions by Chicago-based jazz musician and composer "Light" Henry Huff, a key mentor and inspiring figure in the singer's life, who prematurely died in 1993. The tribute, far from assuming the mournful tones of a musical eulogy, introduced the Italian audience to the bubbly and up-tempo nature of Huff's canon, including "Live," "Happiness" and "Truth Will Set You Free."

Alexander's voice showed all its majestic range. She moved from a cocorito-like trill to the delicate pianissimo of an opera specialist, to the syncopated changes of rhythm of an experienced scat singer. Around her, Sanders swiftly accompanied her with violin variations of a definite Latin matrix, while Reid and Paul skillfully alternated pizzicatos and bowed, long-held notes. Adams enriched the whole with passing from the metallic sonorities of the wind chimes to the wooden ones of the drumsticks, which proved particularly evocative of nature's sounds in "Spring Thing."

Towards the end, an extremely moving composition by Alexander, "See You on the Other Side," was filled with her heartfelt gratitude towards Light, who taught her "how to use my voice as an instrument, the way I was meant to."


Danilo Rea, A Tribute to Fabrizio De André

Danilo Rea's performance at Umbria Jazz Winter similarly follows the lines of homage, in this case to Italian singer, composer and poet Fabrizio De André. The latter has long been identified as Italy's Brassens, for the satirical and politically engaged nature of many of his songs. Yet, another côté of his production includes romantic ballads of love's labors, and a lyrical intensity which revealed his poetic mastery.

Tags

comments powered by Disqus

Related Articles

Read Robert Plant & The Sensational Space Shifters at Forest Hills Stadium Live Reviews
Robert Plant & The Sensational Space Shifters at Forest...
by Mike Perciaccante
Published: June 24, 2018
Read Danny Green Trio at the Lily Pad Live Reviews
Danny Green Trio at the Lily Pad
by Doug Hall
Published: June 23, 2018
Read Terence Blanchard and E-Collective at Ardmore Music Hall Live Reviews
Terence Blanchard and E-Collective at Ardmore Music Hall
by Geno Thackara
Published: June 21, 2018
Read Broken Shadows at Icehouse Live Reviews
Broken Shadows at Icehouse
by Samuel Stroup
Published: June 21, 2018
Read Donny McCaslin Group / Ensemble LPR: Symphonic Bowie at Central Park SummerStage Live Reviews
Donny McCaslin Group / Ensemble LPR: Symphonic Bowie at...
by Kurt Gottschalk
Published: June 19, 2018
Read Burlington Discover Jazz Festival 2018 Live Reviews
Burlington Discover Jazz Festival 2018
by Doug Collette
Published: June 13, 2018
Read "NYC Winter Jazzfest 2018 - The Friday Marathon" Live Reviews NYC Winter Jazzfest 2018 - The Friday Marathon
by Dan Bilawsky
Published: January 22, 2018
Read "Antonio Sanchez Group at Jazz Standard" Live Reviews Antonio Sanchez Group at Jazz Standard
by Dan Bilawsky
Published: September 24, 2017
Read "The Seth Yacovone Blues Trio At Red Square" Live Reviews The Seth Yacovone Blues Trio At Red Square
by Doug Collette
Published: July 23, 2017
Read "36th International Tampere Jazz Happening" Live Reviews 36th International Tampere Jazz Happening
by John Ephland
Published: December 4, 2017
Read "Daniel Bennett Group at Tomi Jazz" Live Reviews Daniel Bennett Group at Tomi Jazz
by Tyran Grillo
Published: August 24, 2017