485

Chris Potter Underground: Ultrahang

John Kelman By

Sign in to view read count
Chris Potter Underground: Ultrahang With a consistent line-up since the debut of Underground (Sunnyside, 2006)—where, after alternating between guitarists Wayne Krantz and Adam Rogers, the reed man settled on Rogers as the group's full-timer for Follow the Red Line: Live at the Village Vanguard (Sunnyside, 2007)—Chris Potter has not only created his most personal and identifiable music to date, but he's clearly also found the group with which to make it. Potter and Rogers, along with mainstays Craig Taborn (Fender Rhodes) and Nate Smith (drums), work at many levels, and Ultrahang continues to mine similar territory while demonstrating steady growth.

Potter's penchant for shifting meters—despite being couched in curiously grounded visceral grooves less firmly entrenched in a conventional rhythm section's more fixed pulse—remains intact on the down-and-dirty opening title track, though he goes for four-on-the floor with the fierier "Rumples," where the saxophonist and Rogers deliver a knotty, mind-bending theme of near-light speed velocity. Taborn holds down the bottom end—not only by contributing gritty bass lines, but with a disposition towards chordal accompaniment in the instrument's lower register. Smith is the group's unshakable yet empathic anchor—tightly locked in with Taborn while keeping his ears open to the rest of his band mates.

Potter's ascendance as one of his generation's most important saxophonists may be more the result of his outstanding work with trumpeter Dave Douglas and Dave Holland—especially the remarkable chemistry he shares with the bassist's longtime trombonist Robin Eubanks—but he deserves equal, if not more, accolades for his own work. He's one of the few saxophonists alive today who can build lengthy solos that avoid repetition and excess, the one clearly best-suited to carry on Michael Brecker's legacy. Like the late saxophonist, Potter is uncannily versatile—near-chameleonic, in fact—capable of fitting into virtually any context and bringing a focused intent that can be, in turns, frighteningly powerful and painfully lyrical, as he is, respectively, on the intense "Small Wonder" and a tender rework of Bob Dylan's "It Ain't Me Babe."

Taborn's career has been defined by breadth and a nearly unparalleled encyclopedic knowledge that, like Potter and Rogers, makes him a perfect fit regardless of context. Soloing with relative economy on a gentle arrangement of Joni Mitchell's balladic "Ladies of the Canyon"—available as a digital bonus track but not on the CD—he morphs easily into the Orient-facing and episodically detailed "Facing East." Rogers demonstrates equal versatility,despite his own albums, including Apparitions (Criss Cross, 2005) and Time and the Infinite (Criss Cross, 2007), leaning more towards modern mainstream. Here he demonstrates his full breadth, ranging from sharp-toned and obliquely effected punctuations beneath Potter's solo on the title track to an equally abstruse but edgy solo on the high octane "Boots" and softer side on "Ladies of the Canyon."

With a group this versatile, there's little Underground can't do. Still, it speaks with a clear voice that incorporates elements of M-Base mathematics, funk, fusion, and folkloric pop references into a unique mélange that, based on the trajectory of Underground, Follow the Red Line and, now, Ultrahang, has nowhere to continue but up.


Track Listing: Ultrahang; Facing East; Rumples; It Ain't Me Babe; Time's Arrow; Small Wonder; Boots; Interstellar Signals.

Personnel: Chris Potter: tenor saxophone, bass clarinet; Adam Rogers: guitar; Craig Taborn: Fender Rhodes; Nate Smith: drums.

Year Released: 2009 | Record Label: ArtistShare | Style: Modern Jazz


Related Video

Shop

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "Allied Forces" CD/LP/Track Review Allied Forces
by David A. Orthmann
Published: November 13, 2016
Read "Hera" CD/LP/Track Review Hera
by Glenn Astarita
Published: September 25, 2016
Read "The Music Of Jackie McLean" CD/LP/Track Review The Music Of Jackie McLean
by Dan Bilawsky
Published: April 6, 2016
Read "Goin' Your Way" CD/LP/Track Review Goin' Your Way
by Doug Collette
Published: November 6, 2016
Read "Known-Unknown" CD/LP/Track Review Known-Unknown
by Bruce Lindsay
Published: January 22, 2017
Read "No Filter" CD/LP/Track Review No Filter
by Mark F. Turner
Published: January 11, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!