Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for readers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

10

Jaco Pastorius: Truth, Liberty & Soul: Live in NYC The Complete 1982 Jazz Alive! Recording

C. Michael Bailey By

Sign in to view read count
Bassist Jaco Pastorius could be considered the American music Van Gogh, a romantic figure so much bigger than the broken body that died from a severe beaten received outside of Midnight Bottle Club in Wilton Manors, Florida, September 11, 1987. That image simply does not jibe even remotely with the music presented on Truth, Liberty & Soul: Live in NYC The Complete 1982 Jazz Alive! Recording. Then again, it never was supposed to.

Only a brief five years earlier, things could not have been more different. Pastorius and his Word of Mouth big band appeared at Avery Fisher Hall in New York City as part of George Wein's Kool Jazz Festival, June 27, 1982 (the same festival that was to be the last major appearance by Art Pepper, who appeared at the festival on May 30 died as the result of a stroke on June 15th).

At the time of these performances, Pastorius was six years past his debut recording Jaco Pastorius (Epic/Legacy, 1976), that established him as both a gifted bassist and composer and was just finishing his successful six-year association with Weather Report. His big band recording, Word of Mouth (Warner Bros., 1981) was released the year before, while the live Invitation (Warner Bros., 1983) was a year away. If Pastorius had a zenith, it was this. If his 1976 solo debut established Pastorius as an electric bassist without peer, then these latter two recordings established him as an equally exceptional big band arranger and a good bit of this concert derives from these recordings.

Truth, Liberty & Soul resulted from an arrangement with Pastorius' estate, Warner Music Group, and NPR Music. The original broadcast of a part of these performances was provided on NPR's Jazz Alive! radio program. This Resonance recording is the second such recording associated with Jazz Alive!, the first being Sarah Vaughan Live at Rosy's (Resonance Records, 2016). Pastorius' recording also includes forty minutes of music not aired on the original NPR program.

What Truth, Liberty & Soul reveals is a musical genius at the height of his powers, leading a big band of his equally talented peers through fourteen selections as fresh as their recording dates from the period. The program begins with a preview of the title piece from his upcoming Invitation, followed by "Soul Intro/The Chicken," from the same recording. Pastorius reaches back to his debut for his famous interpretation of Miles Davis' "Donna Lee," given a hard ride here and featuring Othello Molineaux on steel drums and an unlikely tuba exposition by David Bargeron. Pastorius had nothing if not a sense of humor, and Bargeron makes his tuba sound almost like a souped-up trombone. This is where a listener realizes that it just cannot get any better than this. Toots Thielemans is also on hand for the show, most notably on his own famous "Bluesette," transformed here into a lilting Caribbean meditation. And this is just the first disc.

The second disc opens with an almost abstractly impressionistic "I Shot the Sheriff." The Bob Marley-penned piece is dominated by Molineaux's steel drums, with some tasty obbligato from Theilmans. Peter Erskine's drumming is both precise and muscular, and develops logically as the piece unfolds. Erskine and Pastorius work it out on the extended "Bass and Drum Improvisation," with Pastorius pulling out all the stops and showing all that he is made of. Technically, his performance is phenomenal, containing a vamp on Jimi Hendrix's "Purple Haze" followed by harmonic mayhem and, finally, "America the Beautiful." The scope of this recording and that of Pastorius' vision is impressive. George Grella's summation of Miles Davis in his excellent book, Bitches Brew (Bloomsbury 33&1/3, 2015), could easily have been applied to Pastorius:

"He had an ideal personality for the task: a brilliant mind, confidence that was made arrogant by self-doubt, a critical ear and mind not only for the work or others but his own, a disdain for the opinion of others, while still being concerned enough to know what they thought..."

Sadly, what Pastorius lacked was stability. Woulda, shoulda, coulda; had he been managed in a time other than the uniformed, post-Reagan mental health era, more of this music could have been made. That considered, I should be grateful we had him for the time we did...and for this music.

Track Listing: CD1: Invitation; Soul Intro/The Chicken; Donna Lee; Three Views of a Secret; Liberty City; Sophisticated Lady; Bluesette. CD2: I Shot the Sheriff; Okonkole Y Trompa; Reza/Giant Steps; Mr. Fonbone; Bass and Drum Improvisation; Twins; Fannie Mae

Personnel: Jaco Pastorius: bass, vocals; Bob Mintzer: reeds; Randy Brecker: trumpet; Othello Molineaux: steel drums; Don Alias: percussion; Peter Erskine: drums; Bob Stein: alto saxophone; Lou Marini: tenor saxophone; Frank Wess: tenor saxophone; Howard Johnson: baritone saxophone; Randy Emerick: baritone saxophone; Alan Rubin: trumpet; Lew Soloff: trumpet; Jon Faddis trumpet; Ron Tooley: trumpet; Kenny Paulk: trumpet; David Taylor: trombone; Jim Pugh: trombone; Wayne Andre: trombone; John Clark: French horn; Peter Gordon: French horn; David Bargeron: tuba; Toots Thielemans: harmonica.

Title: Truth, Liberty & Soul: Live in NYC The Complete 1982 Jazz Alive Recordings | Year Released: 2017 | Record Label: Resonance Records

Tags

Related Video

comments powered by Disqus

Warning: include(/home/websites/jazznearyou.com/www/html/templates/calendar/cal_related_cached.php): failed to open stream: No such file or directory in /home/websites/allaboutjazz.com/www/html/content/article.php on line 68

Warning: include(): Failed opening '/data/websites/jazznearyou.com/www/html/templates/calendar/cal_related_cached.php' for inclusion (include_path='.:/usr/lib/php5:/data/websites/allaboutjazz.com/www/html:/usr/share/php') in /home/websites/allaboutjazz.com/www/html/content/article.php on line 68

More Articles

Read Flaneur CD/LP/Track Review Flaneur
by Jakob Baekgaard
Published: January 16, 2018
Read D'Agala CD/LP/Track Review D'Agala
by Troy Dostert
Published: January 16, 2018
Read Vertical CD/LP/Track Review Vertical
by Don Phipps
Published: January 16, 2018
Read In Stride CD/LP/Track Review In Stride
by Geno Thackara
Published: January 16, 2018
Read Solid Gold CD/LP/Track Review Solid Gold
by Jack Bowers
Published: January 15, 2018
Read Ts'iibil Chaaltun CD/LP/Track Review Ts'iibil Chaaltun
by Don Phipps
Published: January 15, 2018
Read "Live Recitation" CD/LP/Track Review Live Recitation
by Jerome Wilson
Published: June 16, 2017
Read "Wobbly Dance Flower" CD/LP/Track Review Wobbly Dance Flower
by Mike Jurkovic
Published: September 22, 2017
Read "Tone Twister" CD/LP/Track Review Tone Twister
by Geannine Reid
Published: December 19, 2017
Read "Cycles of Animation" CD/LP/Track Review Cycles of Animation
by Friedrich Kunzmann
Published: December 24, 2017
Read "Albert Mangelsdorff And His Friends" CD/LP/Track Review Albert Mangelsdorff And His Friends
by Dan Bilawsky
Published: August 16, 2017
Read "Aural Vertigo" CD/LP/Track Review Aural Vertigo
by Daniel Barbiero
Published: July 9, 2017