Home » Jazz Articles » Album Review » Satoko Fujii Trio: Trace A River
Satoko Fujii Trio: Trace A River
In the past, Fujii, Black and Dresser have shown that intuition plays a key role in the development of their music and they continue to do so. This is a prime factor and as they formulate themes not only with a logical lucidity but also with exuberance, the music becomes immediate and all-encompassing.
Fujii plays a melodic run to introduce "Take Right." She changes tempo, adds thunderous chords and rolls along like mighty thunder. Black comes in and the conversation between him and Fujii is rife with point and counterpoint. They know where they are headed and that is a melodically saturated path. Fujii revisits the melody and extrapolates it and the trio sets off of a martial beat. It's a classic example of how they break open a mould and fill it with copiously resonating ideas.
"Kawasemi" gets the nod from Dresser's arco, slowly and lazily finding its line and groove. The pace continues in this pulse until Fujii comes on to egg the rhythm section, prodding them until they explode. Calm returns with Fujii playing a happy tune and keeping abstraction at bay. The mainstream is not placid for long, for as soon as Fujii rips into some agitating notes, the pitch becomes more pronounced. Yet within the swirl, the melody is constantly fed.
"Day After Tomorrow" gives Fujii room for introspection. She is laid back, playing with calm and letting the beauty of the tune rise gently.
This is fine material and exceptional playing, which makes for another triumphant record from the Trio.
Track Listing
Trace A River; Take Right; Manta; A Maze Of Alleys; Day After Tomorrow; Kawasemi; February.
Personnel
Satoko Fujii
pianoSatoko Fujii: piano; Mark Dresser: bass; Jim Black: drums.
Album information
Title: Trace A River | Year Released: 2008 | Record Label: Libra Records
About Satoko Fujii
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







