With a fusion of jazz, blues and rock, guitarist Scott Henderson put together a set of his own songs; the lone exception is Jaco Pastorius’ "Continuum." Most of the album features Thelma Houston with a blues trio; Houston wails while Henderson smokes in a contemporary electric blues vein. Most of the guitarist’s career has been based on fusion; leaders with whom Henderson worked early on include Joe Zawinul, Jean-Luc Ponty, and Chick Corea with his Elektrik Band. Complete information on the guitarist may be found at http://www.ejn.it/mus/s_hender.htm . In 1986 Henderson and Gary Willis founded the first edition of Tribal Tech, a fusion band who’s released eight albums since. More information about Tribal Tech may be found at http://home.earthlink.net/~scottkinsey/tribal.htm .
Alongside Henderson’s ferocious guitar and the fluid singing of Houston is the propulsive team of bassist Dave Carpenter and drummer Kirk Covington. The title track is a slow vocal blues with emotional guitar fills and an exciting interlude. The Bo Diddley beat of "Meter Maid" carries the singer’s tale of urban living with a comfortable feeling that makes the background pleasurable and the lyrics understandable. There are places on the album, however, where the lyrics’ meaning may seem offensive to someone who’s never had a serious long-term relationship. The horns only appear on "Dolemite." Carpenter and Covington rip off a genuine "Continuum" with support from Scott Kinsey at the organ and Henderson on acoustic guitar. The up-tempo "Harpoon" pushes the envelope with a syncopated New Orleans shuffle and exciting solos from Henderson & Pat O’Brien. The music is fun, and the artist is quite talented.
Dolemite; Tore Down House; Meter Maid; I Hate You; Gittar School; Xanax; Continuum; You Get Off On Me; Mocha; Harpoon; Same As You.
Scott Henderson- guitar; Thelma Houston, Masta Edwards- vocals; Dave Carpenter- electric bass; Kirk Covington- drums; Scott Kinsey- keyboards; Albert Wing- alto sax, tenor sax, flute; Mike Nelson- tenor sax, baritone sax; Dan Fornero, Walt Fowler- trumpet; Eric Jorgenson- trombone; Pat O
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.