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John Kocur's first album as a bandleader is an enjoyable and varied recording, showcasing not only the alto saxophonist's own emerging talent but also those of band mates Amy Bormet on piano, Oliver Albertini on bass and C.V. Dashiell III on drums.
Washington D.C.-based Kocur produced the album as well as composing all of the tunes. The compositions are mainly straight-ahead and clearly influenced by the playing of past masters such as Johnny Hodges and Julian "Cannonball" Adderley, but they are not simply derivative and the ballads in particular display a maturity in writing and playing.
"The Touch of Her Hair" is a sax-led ballad that could have come straight from the American Songbook. Kocur's alto is emotive without becoming cloying, and he resists the temptation to overplay, keeping the lines simple and hence more effective. Despite the title of the four-movement "Japan Suite," there is no obvious oriental influence on these tracks: "Movement 2" is the funkiest tune on the CD, thanks in particular to Albertini and Dashiell's bass and drums, while "Movement 4" contains a short but powerful solo from Dashiell and some raucous alto from Kocur.
As soloists, all four band members prove themselves to have imagination as well as skill. Bormet's piano introduction on "Unanswered Questions" is especially noteworthy: a delicate and restrained solo that melds perfectly with Kocur's sax at the halfway point of the tune to create a duet that represents the high point of the album.
The quartet's ensemble playing is excellent throughout, although occasionally the production results in the rhythm section becoming rather too loud and intrusiveAlbertini's bass on "Sheddin,'" for example. Overall, however, production quality is high. This young quartet of musicians has much to be proud of in this recording, which has confidence, inventiveness and flair.
Track Listing: Warrior's Call; Hope for a New Year; Running in the Rain; The Touch of Her Hair; Sheddin'; Independence Blues; Japan Suite (Movements 1-4); Fun Lovers.
Personnel: John Kocur: saxophone; Amy Bormet: piano; Oliver Albertini: bass; C.V. Dashiell III: drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.