Home » Jazz Articles » Album Review » Borah Bergman with Conny Bauer & Mat Maneri: The River Of Sounds

Borah Bergman with Conny Bauer & Mat Maneri: The River Of Sounds

By Glenn Astarita
February 1, 2002
View read count

Borah Bergman with Conny Bauer & Mat Maneri: The River Of Sounds

Three distinguished proponents of the jazz-based avant-garde, or new music, scene converge for a somewhat frenetic encounter of musical minds on The River Of Sounds. Pianist Borah Bergman's Cecil Taylor-like excursions are enhanced and personalized by his acute sense of rhythm, inquisitive statements, intervallic leaps, and gargantuan block chords. On the sixteen-minute opener titled "Jim," the pianist commences the agenda with a simply stated, three-chord progression, while his musical cohorts accelerate the momentum with eruptive dialogue. The trio frequently alters the ebb and flow with fluctuating overtures and verbose extrapolations. However, one of the appealing factors of this project resides within the musicians' multifarious tonalities and complementary micro-motifs.

The piece "Spoiled Kresge" features Bergman's punctual block chords along with trombonist Conny Bauer and electric 6-string violinist Mat Maneri's twirling lines and abstruse thematic inventions. Bergman restates the simple three-chord progression on the tail end of "Spoiled Kresge," as the musicians venture into similar territories throughout the remainder of this imaginative session.

Info: [email protected]

Track Listing

1.Jim 2.The Blond Woman 3.Spindell Kresge 4.The River of Sounds 5.Children

Personnel

Borah Bergman

piano

Borah Bergman: piano

Album information

Title: The River Of Sounds | Year Released: 2002 | Record Label: Boxholder Records

About Borah Bergman

PREVIOUS / NEXT

Opium
< Previous

IAJE 2002 in Long Beach: Booth Photo...
Next >

Become a Sustaining Member

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.