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Borah Bergman

Borah Bergman was an American free jazz pianist. Bergman was born in Brooklyn. He learned clarinet as a child, and did not commence his piano studies until adulthood. He developed his left hand playing to the point where he became essentially ambidextrous as a pianist, and can play equally fast in both hands. He recorded four albums as a soloist before embarking on several duo and trio albums in the 1990s and 2000s. He died, aged 78, in New York.

Monks

Label: Somerealmusic
Released: 2020
Track listing: Well You Needn't (take 1); Well You Needn't (take 2); Thelonious; Light Blue; 'Round Midnight; A Free Association Peregrination In The Fecund And Funky Fields Of Monkdom; Criss-Cross; Well You Needn't (slight return);

ARTICLE: ALBUM REVIEW

Aruán Ortiz with Andrew Cyrille and Mauricio Herrera: Inside Rhythmic Falls

Read "Inside Rhythmic Falls" reviewed by Karl Ackermann

Cuban-born pianist and composer Aruán Ortiz is constantly evolving, experimenting and injecting new elements into his craft. Inside Rhythmic Falls is his third trio album, each with impressive but different lineups. His previous trio release, Live In Zürich (Intakt Records, 2018), with bassist Brad Jones and Chicago Underground mainstay Chad Taylor on drums and mbira, saw ...

ARTICLE: ALBUM REVIEW

Borah Bergman - Wilber Morris - Sunny Murray: Monks

Read "Monks" reviewed by John Sharpe

For free jazz aficionados, it is much like unearthing a hitherto unknown archaeological treasure. For ordinary listeners, dulled by all the Monk retreads, there has been little to prepare them for the startling reinvention on Monks by pianist Borah Bergman, bassist Wilber Morris and drummer Sunny Murray. It has taken a while to surface. After the ...

ARTICLE: GENERAL ARTICLES

Bill Dixon e Cecil Taylor: iniziò a Verona

Read "Bill Dixon e Cecil Taylor: iniziò a Verona" reviewed by Angelo Leonardi

La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...

ARTICLE: ALBUM REVIEW

Frode Gjerstad: Bop Stop

Read "Bop Stop" reviewed by Giuseppe Segala

A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...

ARTICLE: MY FAVOURITE THINGS

Jason Kao Hwang

Read "Jason Kao Hwang" reviewed by Paolo Peviani

Il tratto principale della mia musica Le qualità su cui concentro i miei sforzi sono l'umanità e la verità sonora. La qualità che desidero nei musicisti che suonano con me Mi piacciono i musicisti con una fervida immaginazione, che si esprimono attraverso un linguaggio autenticamente e pienamente personale. Mi piacciono i ...

Left

Label: Not Two Records
Released: 2016
Track listing: Left Hand; Left Us; Left Out.

ARTICLE: ALBUM REVIEW

Borah Bergman/Peter Brötzmann/Frode Gjerstad: Left

Read "Left" reviewed by John Sharpe

Left brings together a particularly uncompromising triumvirate of veterans in pianist Borah Bergman (who died in 2012), German saxophone icon Peter Brötzmann and Norwegian reedman Frode Gjerstad. Although all three recorded after this date in various combinations, this performance from the 1996 Molde International Jazz Festival was the threesome's first and only appearance together on disc. ...

ARTICLE: MULTIPLE REVIEWS

Something old, something new, something reissued, something Brötzmann blew.

Read "Something old, something new, something reissued, something Brötzmann blew." reviewed by Mark Corroto

Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...


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