Home »
Jazz Articles » Album Review » Ben Schachter: The Missing Beloved
Ben Schachter: The Missing Beloved
If the news hasn’t reached you, then listen up! Philadelphia-based saxophonist Ben Schachter is one of the sharpest improvisers in modern jazz. Primarily due to his "Trio of Many" band featuring bassist Micah Jones and drummer Erik Johnson. Here, Schachter enhances his trio with perennial all-stars, saxophonist Gary Bartz, guitarist Jef Lee Johnson, and trumpeter Tim Hagans. With the piece titled “Visitation,” Schachter (tenor sax) soars into the stratosphere via a series of torrid hard bop lines. Hagans follows while leading the rhythm section thru variable flows and staggered swing vamps. Nonetheless, the soloists meld lyrically rich passages with a modus operandi consisting of cyclical movements and a shrewdly enacted reengineering process.
The band takes a bit of a breather during the gliding, blues motif heard on the piece titled “Simultaneous.” Whereas, Gary Bartz (alto sax) augments a perky swing groove via a sequence of machine-gun like flurries on “Bebrew.” In any event, Schachter and associates have it all down to a well thought-out science. Recommended...
Cadence North American Distribution
Track Listing
1.The Missing Beloved 2.Visitation 3.Simultaneous 4.I Know You Hate Me
5.Next
Personnel
Ben Schachter: tenor and alto saxophones
Album information
Title: The Missing Beloved
| Year Released: 2002
| Record Label: Ben-Jam Music
PREVIOUS / NEXT
Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to
future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by
making a donation today.