Home » Jazz Articles » Album Review » Glenn Zottola & Chick Corea: The Legend & I
Glenn Zottola & Chick Corea: The Legend & I
Zottola plays the trumpet, his preferred instrument, on five of the nine tracks on the album, while performing on tenor and alto saxophones on the balance of the tunes. The pianist documents his talents on the piano, keyboards, marimba, bass, programming and even drums on "Autumn Leaves." Other musicians gracing this tribute include bassist Avishai Cohen and drummer Adam Cruz. There is one particular track in which the legend does not appear, and that is on the second version (bonus track) of "Crystal Silence," arranged by guitarist Romero Lubambo who plays the guitar and is accompanied by Pamela Driggs on vocals, singing the lyrics penned in 1972 by Neville Potter, another close friend of Corea.
Though he is gone but not forgotten, Corea's music now lives on forever and this homage, while including a somewhat personal touch, actually affirms that his incredible music now belongs to us all. Zottola's warm trumpet and saxophone voice is a perfect vehicle for expressing Corea's music. Zottola also stated that, in his opinion, Corea was the "greatest artist of the 20th century." Well, I believe that Corea would have argued with that conclusion; after all, he was around for 20 years in the 21st century.
Track Listing
But Not for Me; Crystal Silence; Autumn Leaves; Z-Mother Test Project; Skylark; Moog 1 ARP Project; You Go to My Head; Gliden Not Hadyn; Bonus Track- Crystal Silence.
Personnel
Glenn Zottola
saxophone, tenorChick Corea
pianoAvishai Cohen
bassAdam Cruz
drumsRomero Lubambo
guitarPamela Driggs
vocalsAdditional Instrumentation
Glenn Zottola: tenor saxophone, alto saxophone; Chick Corea: keyboards, programming, marimba, bass, drums; Romero Lubambo: programming.
Album information
Title: The Legend & I | Year Released: 2022 | Record Label: Self Produced
About Glenn Zottola
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







