Home » Jazz Articles » Album Review » Nels Cline: The Inkling

Nels Cline: The Inkling

By Mark Corroto
July 1, 2000
View read count

Sometimes you are out there, listening, working the brain, catching the precious moments of truly creative music. The avant-garde today presents guitarists such as Nels Cline in digital (on disc), allowing you to listen to this Californian all the way from Iowa. But who has the time or the energy to patiently absorb harmonically challenging music? Maybe you, like I can stop from the hyper-speed of our daily lives to breath in Cline’s latest vision.

Nels Cline prior projects have included the remake of John Coltrane’s Interstellar Space with Gregg Bendian, the Nels Cline Trio, a sextet – Destroy All Nels Cline, and recordings for Vinny Golia’s Nine Winds label. He was raised on Hendrix, Jeff Beck, and Duane Allman. Later influences included John McLaughlin, Fred Frith, and Television’s Tom Verlaine.

The new quartet of drummer Billy Mintz, bassist Mark Dresser, and harpist Zeena Parkins explore the eerie side of sound. Parkins and Cline slowly develop patterns of energy, webs of ideas. The tension and release comes not from rhythms but flurried guitar and harp energies. Songs are alternately composed and free. Cline reminds me a bit of Derek Bailey, but where Bailey got his start in jazz; Cline comes at it from a rock background, with more recognizable techniques. Cline’s dictionary is generally know to us, making the conversation he starts understandable, even if it’s not of the daily kind.

Track List:New Old Hat; Spider Wisdom; Circular; Sunken Song; Shale Bed; Alstromeria; Moth Song; Cork arm; Queen Of Angels; Lullaby For Ian.

Personnel

Nels Cline

guitar, electric

Album information

Title: The Inkling | Year Released: 2000 | Record Label: Atavistic

PREVIOUS / NEXT

A Chat With Eric Alexander
< Previous

Meet Carla Bley
Next >

Nels Cline Concerts

Dec 5 Fri

Saccata Quartet

Solar Myth
Philadelphia, PA

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.