431

Herbie Hancock: The Imagine Project

John Kelman By

Sign in to view read count
Herbie Hancock: The Imagine Project Intersecting with the pop world is nothing new to Herbie Hancock. Collaborating with legendary trumpeter Miles Davis on the early nexus of jazz and rock, In a Silent Way (Columbia, 1969), the keyboardist scored his own fusion hit with the funkified Head Hunters (Columbia) in 1973) and, a decade later, was on the cutting edge of techno/electronica with Future Shock (Columbia, 1983). More recently, Possibilities (Hear Music, 2005) enlisted artists including Christine Aguilera, Paul Simon and Sting for an unmistakable pop album that still retained a subtle jazz undercurrent in Hancock's own unmistakable pianism.

The Imagine Project builds on Possibilities by placing big names like Dave Matthews, Pink and Seal alongside a cream-of-the-crop collection of international artists who, while representing their individual musical cultures, find common ground in every corner. Brazil's Céu, Ireland's The Chieftains, Malian rockers Tinariwen and Bengali-born sitarist Anoushka Shankar are but a few of the performers Hancock and producer Larry Klein recorded around the world, on a collection of songs—often iconic and part of a collective zeitgeist—that share common themes of togetherness, peace and global responsibility.

The Imagine Project is a 21st century Love-In, complete with psychedelia (Dave Matthews singing The Beatles' "Tomorrow Never Knows") and some groovy, good-time peace and love (singer Susan Tedeschi and slide guitarist Derek Trucks Band, stretching out on "Space Captain," made famous by Joe Cocker). Peter Gabriel's gentle "Don't Give Up" retains its writer's world interests in a duet partnering pop megastar Pink and R&B singer John Legend, but with some tasty contributions from guitarist Jeff Beck.

Beck's characteristically human voice also drives the album opener. Another duet for Pink—this time with British soul star Seal—John Lennon's ubiquitous "Imagine" blends Congolese DIYers Konono No1 with Hancock's expansive harmonization and Klein's glossy sheen to set the bar high, fusing true world music into an eminently accessible, crossover-bound mélange.

Like Possibilities, this is a pop record, with only the occasional hint of jazz. Bob Dylan's "The Times They Are a Changin'" is sung with subtlety and implication by Ireland's Lisa Hannigan—with traditional contextualization from fellow Irishmen The Chieftains—but Klein's spare bass and Alex Acuña's percussion turn things more cross-cultural, as guitarist Lionel Loueke's jazz proclivities and Afro-centricities blend with Hancock during an extended trade-off section. Recorded in Mumbai, "The Song Goes On" teams Hancock and saxophonist Wayne Shorter with some stunning locals, including sitarist Anoushka Shankar; a fiery original sung by Chaka Khan that features some the disc's most spirited improvisational interplay.

Africa and Jamaica find common ground, with Chicano rockers Los Lobos in the middle, turning Tinariwen's groove-heavy "Tamatant Tilay" into a medley with reggae king Bob Marley's "Exodus," while James Morrison's version of Sam Cooke's prescient "A Change Is Gonna Come" is another highlight, as much for Hancock's astute injections as it is the British singer's impassioned delivery. Radio-friendly it may be, but The Imagine Project remains an album that couldn't have been made anyone but Hancock, an artist who intuitively understands where diverse musical spheres—considered disparate by so many—can seamlessly intersect.


Track Listing: Imagine (with Seal, Pink, Konono No l, Jeff Beck, Oumou Sangare, India.Arie, Lionel Loueke and Marcus Miller); Don't Give Up (with Pink and John Legend); Tempo De Amor (with Céu); Space Captain (Derek Trucks and Susan Tedeschi); The Times, They Are A' Changin' (The Chieftains, Toumani Diabeté, Lionel Loueke and Lisa Hannigan); La Tierra (with Juanes); Tamatant Tilay / Exodus (Tinariwen and Los Lobos); Tomorrow Never Knows (with Dave Matthews); A Change is Gonna Come (with James Morrison); The Song Goes On (with Anoushka Shankar, Chaka Khan, Wayne Shorter).

Personnel: Herbie Hancock: piano (1-10), keyboards (1-3, 8, 10), background vocals (6); Pink: vocal (1, 2); Seal: vocal (1); Alex Acuña: percussion (1, 2, 7); India.Arie: vocal (1); Vinnie Colaiuta: drums (1, 2, 4, 6, 9, 10), tambourine (4); Larry Goldings; Hammond B-3 (1, 2); Larry Klein: bass (1, 5, 7, 10), keyboards (3), background vocals (6); Augustin Makuntima Mawangu: lead Iiekemé (1); Menga Waku: bass Iikembé (1); Makonda Mbuta; rhythm Iikembé (1); Visi Vincent: drums (1); Mbiyavana Ndofusu: percussion (1); Lionel Loueke: guitar (1, 5); Marcus Miller: bass (1, 6); Oumou Sangare: vocal (1); Jeff Beck (1, 2); John Legend: vocal (2); George Whitty: sound design (2, 10), keyboards (2, 10); Céu: vocal (3); Rodrigo Campos: percussion (3); Lucas Martins: electric bass (3); Kofi Burbridge: Hammond B-3 and vocal (4); Oteil Burbridge: bass and vocal (4); Mike Mattison: vocal and vocal arrangements (4); Susan Tedeschi: vocal (4); Derek Trucks: guitar (4); Paddy Moloney: Uillean Pipes and tin whistle (5); Seán Keane: fiddle (5); Kevin Conneff: Bodhrán (5); Matt Molloy: flute (5); Toumani Diabate: kora (5); Manu Katché: drums (5); Rhani Knja: percussion (5); Richard Bravo: percussion (6); Juanes: vocal (6); Fernando Tobon: guitar (6); Pete Wallace: keyboards (6); Jessica Hancock: background vocals (6); Alan Mintz: background vocals (6); Maeia Ruvalcaba: background vocals (6); K'NAAN: vocal (7); David Hidalgo: vocal (7); Conrad Lozano: vocal (7); Louie Pérez: vocal (7); Said Ag Ayad: djembé and background vocals (7); Abdallah Ag Lamida: guitar and background vocals (7); Alhassane Ag Touhami: guitar and lead vocals (7);Abdallah Ag Alhousseyni: bass guitar and background vocals (7); Elega Ag Hamid: guitar and background vocals (7); Ibrahim Ag Alhabib: background vocals (7); Danny Barnes: bass, banjo and guitar (8); Matt Chamberlain: drums (8); Michael Chaves: guitar (8); Dave Matthews: vocal and guitar (8); Paulinho Da Costa: percussion (9); James Morrison: vocal (9); Dean Parks: guitar (9); Tal Wilkenfeld: bass (9); K.S. Chithra: vocal (10); Bhawai Shankar Kathak: pakhawaj (10); Chaka Khan: vocal (10); Sridhar Parthasarthy: mridangam (10); Anoushka Shankar: sitar (10); Wayne Shorter: soprano saxophone (10); Satyajit Talwakar: tablas (10).

Year Released: 2010 | Record Label: Herbie Hancock Music | Style: Funk/Groove


Related Video

Shop

More Articles

Read Road to Forever CD/LP/Track Review Road to Forever
by Jack Bowers
Published: February 27, 2017
Read Avenida Graham CD/LP/Track Review Avenida Graham
by Edward Blanco
Published: February 27, 2017
Read TAI Fest #1 (Vol.1&2) CD/LP/Track Review TAI Fest #1 (Vol.1&2)
by Nicola Negri
Published: February 27, 2017
Read Goat Man & The House of the Dead CD/LP/Track Review Goat Man & The House of the Dead
by Dave Wayne
Published: February 27, 2017
Read Backlog CD/LP/Track Review Backlog
by James Nadal
Published: February 27, 2017
Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read "Connection" CD/LP/Track Review Connection
by Glenn Astarita
Published: May 11, 2016
Read "Saturday Songs" CD/LP/Track Review Saturday Songs
by Budd Kopman
Published: June 19, 2016
Read "Unstatic" CD/LP/Track Review Unstatic
by Dan McClenaghan
Published: August 9, 2016
Read "Unlimited 1, Live at Catalina's" CD/LP/Track Review Unlimited 1, Live at Catalina's
by Jack Bowers
Published: November 22, 2016
Read "Southern Lights" CD/LP/Track Review Southern Lights
by Budd Kopman
Published: May 26, 2016
Read "Daylight Ghosts" CD/LP/Track Review Daylight Ghosts
by Mark Sullivan
Published: February 21, 2017

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!