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Vince Guaraldi / Cal Tjader: The Grace Cathedral Concert
ByOn May 21, 1965, Guaraldi's trio (with Tom Beeson on bass and Lee Charlton on drums) and a 68-member vocal choir performed this 14-selection, 40-minute program. Listening to Guaraldi's The Grace Cathedral Concert (released on LP as Fantasy 8367) more than 30 years later, it's easy to imagine the concert as The Peanuts Go To Church. One can picture the characters "oohing" hallelujah as they hum along to the "Theme To Grace" (like "Hark The Herald Angels Sing") or solemnly reciting "The Lord's Prayer" and "Agnus Dei (O Lamb of God)." Most of the titles employ Guaraldi's knack for pretty, childlike themesa perfect tone for the material. Guaraldi's lovely piano is heard noodling in his inimitable style behind "Kyrie Eleison" and "Come Holy Ghost." Most of the proceedings, however, are dominated by the choirwith very little jazz to be heard. Exceptions are the minor-key "Theme To Grace" and the disk's best track, the all-instrumental 11 minutes of "Holy Communion Blues." Other titles are brief (usually under three minutes) and Guaraldi approaches them with a seriousness solemn music usually demands. Audience members, as the liner notes point out, were heard to comment, though, that "Theme For Grace" was reminiscent of supper music. Father Gompertz apparently replied, "that's the idea. What does Communion represent but the last Supperthe last time these men ate together?"

Tjader's The Grace Cathedral Concert (released on LP as Fantasy 9521) is much more of a jazz performance than Guaraldi's. It's a typical mid '70s program for the virbraphonist featuring such staples as "I Showed Them," Milt Jackson's "Bluesology" (with "Bag's Groove" quotes), a Black Orpheus medley dedicated to former Tjader pianist Vince Guaraldi, the standard "Body and Soul" and Tjader's "Theme" (based on "Freddie Freeloader"). The quintet works well together. Hewitt's subtle use of the electric piano is a nice foil to Tjader's vibes and doesn't sound nearly as dated as one might expect. Tjader puts his heart and swing into the performance, sustaining tones almost on que. Each member of the quintet is also recorded much more effectively here in the large Cathedral setting (which, unfortunately, wasn't the case for Guaraldi's bassist and drummer). That's due to the engineering finesse of Phil Edwards, who went on to record for Concord Records. There are many good Tjader performances from the '50, '60s and '70s currently available on CD. This is quite a good one.
Personnel
Vince Guaraldi
pianoAlbum information
Title: The Grace Cathedral Concert | Year Released: 1997 | Record Label: Fantasy Jazz
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