Home » Jazz Articles » Album Review » Miles Davis: The Cellar Door Sessions 1970

520

Miles Davis: The Cellar Door Sessions 1970

By

View read count
Miles Davis: The Cellar Door Sessions 1970
This six-CD set features trumpeter Miles Davis with his early fusion band, marking the significant change that he was to bring about in jazz. Recorded from December 16-19, 1970, Davis' music retained the comfortable swing and fiery emotion that he had espoused in earlier years, but added a dynamic force that signaled progress in the entertainment industry.

Taking advantage of the technological developments available to him, he experimented with the sonic powers of electric piano, electric bass, and electric guitar, without yet moving into the realm of synthesizers. Thus, this session comes between two vastly different aspects of the trumpeter's signature sound: after his acoustic, straight-ahead bop legacy and before his heavily synthesized jazz/rock fling. The Cellar Door sessions provided the original source material for Live/Evil (Columbia, 1972), but they're presented in their entirety here.

Because these sessions were recorded live, you get the true flavor from each artist. Davis plays open and wah-wah trumpet with his usual zeal. Every note denotes a healthy respect for resonant tone quality. Keith Jarrett delivers melodic statements with clear articulation. They've avoided the kind of wallpaper electronics that surrounded studio sessions of the time.

Gary Bartz runs on high-octane emotion, giving the sessions passion fits that keep you on the edge of your seat for long stretches. Jack DeJohnette and Michael Henderson supply a pop/rock drum backbeat and thundering bass foundation that lets the band's front line groove all night long. With extended pieces and few breaks between numbers, the Davis band proves inexhaustible. The average time for each set comes to just under an hour.

There is some repetition on the programs, of course, as Davis revisits particular numbers on subsequent sets. A blues-drenched "Honky Tonk" is presented four times. However, each interpretation stands out as a significantly different entity. Keith Jarrett is called upon several times to deliver featured improvised pieces that serve as interludes and introduce more band adventure. He provides the sessions' quieter moments.

Most of the sessions run hot and heavy with reflections of pop/rock attitudes of the times. Davis wanted to give his audience a youthful appearance with the veteran spontaneity of jazz. He gave his band members plenty of freedom and gave his audience plenty to think about.

Containing recent testimony from Jarrett, McLaughlin, DeJohnette, Bartz, Henderson, and Moreira about this milestone session, The Cellar Door Sessions proves invaluable. Documenting one exciting end-of-the-week run in Washington, DC during times of turmoil and change, the boxed set provides the true Miles Davis fan with a benchmark discovery.

Track Listing

CD1: Directions; Yesternow; What I Say; Improvisation; Inamorata. CD2: What I Say; Honky Tonk; It's About That Time; Improvisation #2; Inamorata; Sanctuary. CD3: Directions; Honky Tonk; What I Say. CD4: Directions; Honky Tonk; What I Say; Sanctuary; Improvisation #3; Inamorata. CD5: Directions; Honky Tonk; What I Say. CD6: Directions; Improvisation #4; Inamorata; Sanctuary; It's About That Time.

Personnel

Miles Davis
trumpet

Miles Davis: trumpet; Gary Bartz: soprano and alto sax; John McLaughlin: electric guitar (discs 5 and 6 only); Keith Jarrett: Fender Rhodes electric piano and Fender electric organ; Michael Henderson: electric bass; Jack DeJohnette: drums; Airto Moreira: percussion (discs 2-6 only).

Album information

Title: The Cellar Door Sessions 1970 | Year Released: 2005 | Record Label: Sony Music

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.