Home »
Jazz Articles » Album Review » Joe McPhee: Tenor & Fallen Angels
Joe McPhee: Tenor & Fallen Angels
Joe McPhee is one of the pioneers of solo reed playing. While Coleman Hawkins and Eric Dolphy played occasional solo pieces, Anthony Braxton was the first musician to dedicate an entire album,
For Alto, to solo reed explorations. Perhaps even more importantly, he was the first to develop a sonic vocabulary specifically dedicated to solo reed performance. After him came Steve Lacy and Evan Parker on soprano, both with highly original and ground-breaking perspectives on the straight horn. And on tenor there was Joe McPhee with this great 1976 Hat Hut album, now happily reissued.
This edition includes the original Tenor album plus one additional solo track, "Fallen Angels," which was recorded the following year. Tenor has lost none of its freshness or originality in the quarter-century that followed it. In many ways, we're still playing catch-up.
It's actually in one sense a very conventional album. The themes are catchy (particularly "Knox" and "Good-Bye Tom B.") and they are clearly stated at the beginnings of the tunes. What is so arresting about Tenor - and by extension about Tenor & Fallen Angels - is the immediacy of Joe's sound, the vividness of his developing improvisations, the grandeur of his melodies and tone, and the wild vibrant colors of the music.
The centerpiece, the 23-minute "Tenor," explores sounds and moods and textures, in a way that only Joe McPhee has done it and perhaps that only Joe McPhee could do it. The breathtaking unity and development of this long piece is a wonder to behold. Don't miss it, or this handsome reissue. Highly recommended.
Joe McPhee, ts.
Knox / Good-Bye, Tom B. / Sweet Dragon / Tenor / Fallen Angels.
Personnel
Album information
Title: Tenor & Fallen Angels
| Year Released: 2000
| Record Label: Kedar Entertainment Group
PREVIOUS / NEXT
Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to
future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by
making a donation today.