Home » Jazz Articles » Album Review » Ilmiliekki: Take It with Me
Ilmiliekki: Take It with Me
The group's primary soloists, trumpeter Verneri Pohjola and pianist Tuomo Prättälä, are connected to the all-important rhythm section of bassist Antti Lötjönen and drummer Olavi Louhivuori. Pohjola's excellent horn playing is very reminiscent of the esteemed Polish trumpeter Tomasz Stanko, but this is a collaborative effort where the members of the group move and perform as one.
Take It with Me is a departure from cookie-cutter releases marked by heavy doses of fast tracks with the occasional sprinkling of a ballad. The band takes a relaxed and deliberate approach from beginning to end, which is never boring and often quite engaging. The lone up-tempo piece, "Karhu, shows that the players can burn hot, but their inner selves are more revealing on the slower pieces.
The music comes to life through the detailed subtleties of the musicians' instruments and their unique choices of odd covers. Take your pick from these new standards, featuring the trumpet's whispering tone on the title track, "Take It with Me," by the iconoclastic American singer Tom Waits; a feathery brush of a cymbal on "Porcelain by the rock/funk group the Red Hot Chili Peppers; the powerful and romantic bass solo on "My Favorite Plum by singer/songwriter Suzanne Vega; the blossoming piano on the gradual ascension of "Hatchi. This is music for the mind as well as the ear. Tired of the norm? Take It with Me offers an approachable and cerebral destination.
Not only is the sound quality exceptional, but this release also includes twenty pages of liner notes, photos and recording information.
Track Listing
Take It With Me; Karhu; So FarR Askisto; Porcelain; Kanava; My Favorite Plum; Hatchi; In Wood.
Personnel
Ilmiliekki
band / ensemble / orchestraVerneri Pohjola: trumpet; Tuomo Pr
Album information
Title: Take It with Me | Year Released: 2007 | Record Label: TUM Records
About Ilmiliekki
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






