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100

Article: Album Review

Jerry Vivino: Walkin' with the Wazmo

Read "Walkin' with the Wazmo" reviewed by Edward Blanco


New York-based multi-instrumentalist Jerry Vivino, a session player and member of the Max Weinberg 7 house band on the Conan O'Brien late night TV show for the past thirteen years, gives us an offering of an entertaining blend of straight-ahead jazz, bebop and other styles on Walkin' with the Wazmo. On this diverse selection of eight ...

124

Article: Album Review

Jerry Vivino: Walkin

Read "Walkin" reviewed by Jim Santella


Jerry Vivino has put together a fine straight-ahead session that also includes New Orleans funk, Latin jazz, bossa nova and highly creative improvised romps in several other styles. Vivino's thirteen years with the Max Weinberg 7 in support of Conan O'Brien's late night television show has helped to convince him that variety works. Working ...

191

Article: Album Review

Duduka Da Fonseca: Samba Jazz In Black & White

Read "Samba Jazz In Black & White" reviewed by Michael P. Gladstone


Brazilian drummer and percussionist Duduka Da Fonseca recorded this album for Zoho as a followup to his debut album, Samba Jazz Fantasia (Malandro, 2002). Da Fonseca was born in 1951 and gained years of experience on the streets of Brazil with musicians like Raul de Souza, Edison Machado and Dom Um Romao. He relocated to New ...

176

Article: Album Review

Dafnis Prieto: Absolute Quintet

Read "Absolute Quintet" reviewed by R. Emmet Sweeney


Dafnis Prieto's latest release on the upstart Zoho label is The Absolute Quintet, a startlingly eclectic and occasionally maddening album. He creates strange shapes and shifting moods, which are handled adroitly by his bandmates in a unique bass-less setup. Violin and cello scrape against sax and organ, with Prieto's all-over drumming attempting to forge some unity. ...

195

Article: Album Review

Dafnis Prieto: Absolute Quintet

Read "Absolute Quintet" reviewed by Mark F. Turner


Dafnis Prieto is not an ordinary drummer and Absolute Quintet is not a typical Latin jazz recording. Prieto knows the Cuban clave rhythms and is aware of the music's heritage. Yes, he plays fiercely, with an array of tools from his kit. Sure, he's got the juice, with quickness, precision and inventiveness. But if you listen ...

456

Article: Record Label Profile

ZOHO Music

Read "ZOHO Music" reviewed by Elliott Simon


Placing an emphasis on contemporary NYC jazz with a Latin flavor, ZOHO Music in two short years has been able to carve out a special niche defined by infectious rhythms, tight music and a cosmopolitan flair. Debut releases from two of NYC's top working bassists - the brilliant tango nuevo of Pablo Aslan's exquisite Avantango and ...

270

Article: Album Review

Harvie S: Funky Cha

Read "Funky Cha" reviewed by Todd S. Jenkins


Harvie S's inimitable, fearless and fun-filled approach to Latin jazz reaches a new pinnacle on Funky Cha. The bassist's musical sensibilities couldn't be summed up better than on the opening track, a re-visioning of Monk's “Rhythm-A-Ning. His bass and Daniel Kelly's piano pulse out Thelonian arhythmic fragments over Beaver Bausch's tappy drum groove, building in quirky ...

158

Article: Album Review

Harvie S: Funky Cha

Read "Funky Cha" reviewed by Jerry D'Souza


The Latin jazz beat goes on, and Harvie S takes his turn to profile the music on Funky Cha. The bassist works with a core quartet, augmenting it with four other musicians; all eight appear on “Mariposa en Mano. The music finds its muse in the various styles that make up the body ...

112

Article: Album Review

Carlos Barbosa-Lima: Carioca

Read "Carioca" reviewed by Jerry D'Souza


Carlos Barbosa-Lima has the ability to enrich a song with remarkable grace. He makes each one sing eloquently, bringing out its inherent beauty, not hurrying his passage as he lights a spark underneath. While his technique is undeniable, his creativity is the trump card. Barbosa-Lima's choice of tunes on Carioca is judicious. He draws ...

109

Article: Album Review

Bonnie Bramlett & Mr. Groove Band: Roots, Blues & Jazz

Read "Roots, Blues & Jazz" reviewed by Jerry D'Souza


Bonnie Bramlett is back. She is best remembered for the music she made during the sixties and the early seventies with her husband Delaney. Their brand of the blues was good enough for them to open for Blind Faith and draw the likes of Dave Mason, Leon Russell and Eric Clapton to play with them. Times ...


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