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Musician

Zev Feldman

2

Article: Radio & Podcasts

Record Store Day 2024 with Zev Feldman

Read "Record Store Day 2024 with Zev Feldman" reviewed by Ken Dryden


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Article: Album Review

Bob Dylan: The Bootleg Series Volume 21: To Be Likened Later, Spring 65: The Forgotten Gil Evans Sessions

Read "The Bootleg Series Volume 21: To Be Likened Later, Spring 65: The Forgotten Gil Evans Sessions" reviewed by Mike Jurkovic


Veteran producer Tom Wilson was never a man known to shun aside inspiration. Prior to finding himself at the eye of the Bob Dylan hurricane, Wilson had not only founded Transition Records, but gave the world Sun Ra's unruly, post-bop big band debut Jazz by Sun Ra (Transition, 1957), Cecil Taylor's defiant and quixotic Jazz Advance ...

17

Article: Album Review

Bill Evans: Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969)

Read "Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969)" reviewed by Mike Jurkovic


At first one might wonder how long good fortune can last so that previously unheard and unreleased Bill Evans sets such as Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969) seemingly fall from the heavens on a regular basis. Is it not fact that all good things must come to an end is the cruelest ...

20

Article: Multiple Reviews

Ahmad Jamal: Emerald City Nights: Live at the Penthouse (1963-1964) and (1965-1966)

Read "Ahmad Jamal: Emerald City Nights: Live at the Penthouse (1963-1964) and (1965-1966)" reviewed by Mike Jurkovic


Let's entertain the undisputed truth that Ahmad Jamal, all ninety-two years of him, is quite possibly the coolest cat on a warming planet and these companion double sets Emerald City Nights: Live at the Penthouse (1963-1964), and Emerald City Nights: Live at the Penthouse (1965-1966) take on a rather folklorish, must-have status. With ...

16

Article: Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Mike Jurkovic


No matter your format of choice—the deluxe 180g 3-LP set, streaming, or a 2-CD package--there is some serious, late '60s hard bop soul-searching happening on this eye-opening, mind-expanding, previously unreleased Revival: Live at Pookie's Pub. Elvin Jones cleared the cobwebs just two weeks after John Coltrane's passing and the resounding end to the classic ...

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Article: Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Chris May


A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty ...

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Article: Album Review

Bill Evans: Hey Bill, It's Paul From Abbey Road

Read "Hey Bill, It's Paul From Abbey Road" reviewed by Mike Jurkovic


Hot after the release of Bill Evans Live at Ronnie Scott's (2020), Resonance Records and the Estate of Bill Evans announced an extraordinary find, now in the final stages of being prepped as a two-disc set entitled Hey Bill, It's Paul from Abbey Road. Recorded off the cuff as a sort of mic-set-up time ...

3

Article: Album Review

Bill Evans: Live at Ronnie Scott's

Read "Live at Ronnie Scott's" reviewed by Mike Jurkovic


Bill Evans was always at home onstage. Live at Ronnie Scott's, Resonance Records' fifth Bill Evans archival offering, hits the same high marks as its predecessors--2012's standard bearer Live at Art D'Lugoff's Top of The Gate , 2016's Some Other Time: The Lost Session From the Black Forest, 2018's Another Time and 2019's Evans In England--majestically ...

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Article: Bailey's Bundles

Notable and Nearly Missed 2020

Read "Notable and Nearly Missed 2020" reviewed by C. Michael Bailey


The strange year that was 2020 yielded, reluctantly, re-issued and previously unissued recordings from across the spectrum of music and ain't it fine to have such to consider. The value of such recordings lay in their function in pointing to the musical future we presently inhabit. They fill in the blank spaces between then and now. ...


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