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George Duke: Facing the Music
by Jeff Winbush
In jazz, there are two seminal figures called “Duke." For Edward Kennedy Ellington, “Duke" was a nickname. For George Duke, it is his surname, but the similarities with Duke Ellington don't end there. As a pianist, arranger, songwriter, bandleader and composer, George Duke has solidified his reputation as one of jazz's most important figures. Also a ...
Take Five with Matthew Shipp
by AAJ Staff
DOB: December 7, 1960 In: Wilmington, Delaware First Musical Memory: “My uncle (James) playing a Beethoven piece on piano." Music Inspirations: “Metaphysics and understanding the vibration language behind cosmos." Hobbies/Interests: “Metaphysics, boxing, pro wrestling." Last Book Read: “Lampshade by Mark Jacobson." Favorite TV Show: ...
Yusef Lateef @ 90
Some years ago the Jazz Journalists Association, as a tribute to friend and colleague the late Harlem jazz writer Clarence Atkins sponsored a group of aspiring African American music writers to attend a journalism conference in California. I'm happy to say that for the most part they have continued to write particularly on jazz, and in ...
Mike Pride's From Bacteria To Boys: Betweenwhile
by John Sharpe
Even though drummer/composer Mike Pride has appeared on over 70 albums, ranging from avant rock to blues, he remains not as well-known as he might be in the jazz field. Betweenwhile is likely to change that. Pride's From Bacteria to Boys has existed in various lineups since 2005, but the current foursome first came together in ...
Mike Pride’s From Bacteria to Boys: Betweenwhile
by Mark Corroto
Certainly, any attempt to pigeonhole this drummer is a lesson in failure; priding himself in his diverse interests, whether recording a duet album of free improvisation with Jon Irabagon, on I Don”t Hear Nothin' But The Blues (Loyal Label, 2009), or playing with punk band Millions Of Dead Cops, Mike Pride he has also distinguished himself ...
Take Five With Kali. Z. Fasteau
by AAJ Staff
Meet Kali. Z. Fasteau: Kali. Z. Fasteau is from a musical family, playing piano, cello, flute, and voice since early childhood in Paris and New York. Her piano teacher, for eight years, was Olga Heifetz. She started improvising at age 14. She received post-grad degrees studying the music of Asia, Africa, 20th Century ...
Chu Berry, Joe Harriott, and Yusef Lateef
by Sean Dietrich
The role call for sax genius is a lengthy one. But upon briefly thumbing past names like Charlie Parker, John Coltrane and Coleman Hawkins, one finds a glow beneath the surface radiating from lesser known players. Members of the vast sax community, who don't often get the same press other celebrated players receive. ...
Sarah Manning: Shattering The Glass Ceiling
by David A. Orthmann
Listening to Sarah Manning speak at length is nearly as absorbing as her music. She's intelligent, direct, witty, and serious-minded. As Manning waxes eloquent on topics ranging from the impact of three special mentors, to the benefits of being a well-rounded person, to issues surrounding woman's empowerment, you realize that she relishes every aspect of her ...
Silent Solos: Improvisers Speak
by Jakob Baekgaard
Silent Solos: Improvisers Speak Soft cover; 174 pages ISBN: 978-3-00-030557-3 Buddy's Knife 2010 Improvisation, at its best, is about instinct. At its worst, it's an intellectual exercise, cold and theoretical, without an emotional perspective. Fortunately, the beautifully produced Silent Solos: Improvisers Speak avoids the pitfalls of ...
