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14

Article: Album Review

Yelena Eckemoff: Lonely Man and His Fish

Read "Lonely Man and His Fish" reviewed by Tyran Grillo


After a run of emotionally expansive albums, pianist and composer Yelena Eckemoff once again pivots without losing her center. Reinvention has become part of her artistic language, and here it arrives with a new cast and a story told in patient detail. Kirk Knuffke appears on cornet, Masaru Koga on a flute modified with a shakuhachi ...

13

Article: Album Review

Yelena Eckemoff: Romance of the Moon

Read "Romance of the Moon" reviewed by Tyran Grillo


With Romance of the Moon, Yelena Eckemoff descends further into the symbolic night, carrying Federico García Lorca's poetry as a living grammar in her heart. This suite of 13 compositions does not illustrate the poems so much as converse with them, answering their obsessions with music that listens as intently as it speaks. Lorca's moons, bells, ...

14

Article: Album Review

Yelena Eckemoff: Scenes From the Dark Ages

Read "Scenes From the Dark Ages" reviewed by Tyran Grillo


Yelena Eckemoff has long composed as though mapping weather rather than terrain, tracing pressure systems of mood and atmosphere while leaving strict pulse to others. Her music often moves with purpose yet refuses the easy certainties of groove, circling rhythm instead of kneeling before it. This has never felt like abstinence or austerity. It feels more ...

13

Article: Album Review

Yelena Eckemoff: Nocturnal Animals

Read "Nocturnal Animals" reviewed by Tyran Grillo


There is something quietly revelatory about music that chooses the night not as a backdrop but as a mode of thought. With Nocturnal Animals, pianist and composer Yelena Eckemoff enters this liminal terrain with rare attentiveness, offering an album that does not describe animals so much as think alongside them. This is music that crouches, listens, ...

15

Article: Album Review

Yelena Eckemoff: Colors

Read "Colors" reviewed by Tyran Grillo


There is a particular kind of courage in naming an album Colors. Not because the idea is simple, but because it is vast. To invoke color is to invoke perception itself, the mind's habit of sorting the world into tones and meanings, the heart's insistence that even the subtlest shade has a moral weight. With Colors, ...

19

Article: Album Review

Yelena Eckemoff: Better Than Gold and Silver

Read "Better Than Gold and Silver" reviewed by Tyran Grillo


Some albums attempt to explain sacred text. Others adorn, elevate, or dramatize it. Better Than Gold and Silver does something rarer. It listens. It waits. It receives. Yelena Eckemoff does not set the Psalms of David to music so much as she attends to them, as though all that remains is to hear what still trembles ...

23

Article: Album Review

Yelena Eckemoff: Lions

Read "Lions" reviewed by Tyran Grillo


Pianist Yelena Eckemoff, a melodic marvel whose gift for atmosphere has been apparent from the beginning, has never felt comfortable settling into a single definition. Rooted in classicalism yet never bound by its strictures, she has carved a singular path through the world of jazz, guided by a restless imagination that treats genre as porous terrain ...

17

Article: Album Review

Yelena Eckemoff: Blooming Tall Phlox

Read "Blooming Tall Phlox" reviewed by Tyran Grillo


For this quintet outing, pianist and composer Yelena Eckemoff is joined by Verneri Pohjola on trumpet and flugelhorn, Panu Savolainen on vibraphone, Antti Lotjonen on double bass, and Olavi Louhivuori on drums and percussion. Together they move through a sequence of 15 originals that feel less composed than remembered, as though the music were lifted from ...

13

Article: Album Review

Yelena Eckemoff: In The Shadow Of A Cloud

Read "In The Shadow Of A Cloud" reviewed by Tyran Grillo


Following her successful quintet outing, Blooming Tall Phlox, pianist Yelena Eckemoff retains the ensemble's name while quietly reshaping its interior life, recalibrating the personnel for another generous two-disc statement. Joined this time by Chris Potter on reeds and flute, Adam Rogers on electric guitar, Drew Gress on double bass, and Gerald Cleaver on drums, Eckemoff unfurls ...

16

Article: Album Review

Yelena Eckemoff: Desert

Read "Desert" reviewed by Tyran Grillo


After two expansive collections that gathered large ensembles and formidable names, Yelena Eckemoff chooses subtraction. Desert arrives as a deliberate narrowing of the horizon, a journey defined not by accumulation but by exposure. Joined by Paul McCandless on an assortment of reeds and winds, Arild Andersen on bass, and Peter Erskine on drums and percussion, Eckemoff ...


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