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News: Performance / Tour

Ted Nash - Birth Of The American Jazz Orchestra - J@LC

December 5, 2014

“This particular band, for me, is the strongest in the 15 years I’ve been in the band,” asserts Jazz at Lincoln Center Orchestra multi-instrumentalist Ted Nash. Experience this powerhouse band as the JLCO with Wynton Marsalis delve into the Birth of the American Jazz Orchestra on January 9-10 in Rose Theater. There is a free pre-concert ...

Article: Interview

Jason Moran: Joyful Proclamations

by Franz A. Matzner
November 24, 2014

Jason Moran requires no introduction, either as an artistic alchemist or a spokesperson and educator. Moran has left an indelible mark on modern jazz and is now seated at one of the nation's most preeminent performing spaces--the Kennedy Center--as its artistic director for jazz. Already, his capacity for insight, humor, and innovation have launched a new ...

Article: Live Review

Jazztopad 2014, Three World Premieres

by Ian Patterson
November 24, 2014

Jazztopad Wroclaw, Poland November 13-15, 2014 Jazztopad enters its second decade with confident stride. The festival has come a long way in the first ten years, evolving, experimenting and growing as any good festival should. In 2014, Jazztopad stands as an internationally renowned festival with a clearly defined ethos, one that combines ...

News: Performance / Tour

Panel of National Jazz Experts and Legends Announce Prestigious 2014-15 Kimmel Center Jazz Residency Artist Participants!

November 13, 2014

The Kimmel Center’s commitment to Jazz continues as their Jazz Residency winners are announced! The five-person panel, representing some of the nation’s most influential jazz practitioners and innovators—including Kennedy Center Director of Jazz Programming Kevin Struthers, SF Jazz Center Artistic Producer Lilly Schwartz, Jazz at Lincoln Center Vice President of Education Todd Stoll—culled through over 25 ...

Article: Live Review

Ann Hampton Callaway at Dizzy's Club Coca-Cola

by Ernest Barteldes
October 28, 2014

Ann Hampton Callaway Dizzy's Club Coca-Cola October 23, 2014 New York, NY On the CD release event for her album Sarah Vaughan Project (Shanachie, 2014)--captured live at this very venue--Ann Hampton Callaway kicked off the set with a very up-tempo take on “I'm Gonna Live Till I Die" ...

News: Interview

Thaddeus Ford plays from the heart

October 19, 2014

By Jerry Armbrister Thaddeus Ford is lucky to be alive. One year ago, he suffered a heart attack—at the young age of 34. Now one year later, he has assembled his band and will play—at the Tuesday Nite Jazz series at the St. Paul United Methodist Church—a set of original tunes that he himself wrote. He ...

News: Education

Wynton Marsalis Leads Juilliard’s Jazz Program

October 13, 2014

By Peter Monaghan Wynton Marsalis, the trumpeter, has a new role that is likely to expand his influence on the direction and public perception of jazz: director of the jazz-studies program at Juilliard School of Music. In July Mr. Marsalis replaced Carl Allen, a drummer, as leader of the program at his alma mater. His appointment ...

Article: Live Review

Carl Bartlett, Jr. First Set at the Kitano: Jazz At Kitano

by Mike Perciaccante
October 12, 2014

Carl Bartlett, Jr. Jazz At Kitano New York, NY September 25, 2014 Alto saxophonist Carl Bartlett, Jr.'s musical bloodlines run deep. The son of Carl Bartlett, Sr. and nephew of Charles Bartlett (who formed an R&B show and dance band “The Bartlett Contemporaries"), Carl, Jr. has ...

Article: Film Review

Brownie Speaks: A Video Documentary: The Life, Music, and Legacy of Clifford Brown

by Victor L. Schermer
September 11, 2014

Brownie Speaks: A Video Documentary: The Life, Music, and Legacy of Clifford Brown Glanden Productions 2014 This thoroughly researched and fascinating documentary about legendary jazz trumpeter Clifford Brown reveals the full scope of the man and his music through extensive interviews, recordings, photos, and both new and archival film and video ...

Article: Extended Analysis

Hiromi: Alive

by Jeff Winbush
September 3, 2014

If jazz has become a niche market in the music industry (and it is), a contributing factor for its slide into cultural irrelevance is a failure to promote and support new artists. No matter what sub-genre of jazz you personally love, across the board there is no sustained effort to develop a roster of first-tier talent ...