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Article: Interview

Dwayne Burno: Tradition

by George Colligan
November 20, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Dwayne Burno is one of the great bass players of his generation. Originally from Philadelphia, Burno has been on the New York and international jazz scene since 1990. He has played with so many of the great legends of jazz: Betty ...

Article: Interview

Nicholas Payton: Sketches of Brilliance

by Nicholas F. Mondello
November 18, 2013

Trumpeter Nicholas Payton has distinguished himself over the decades as a continually evolving artist of significant vision, artistry and focus. He's a musician who knows, respects and displays his roots, knows where he's at now and where he's going creatively. Under his own BMF Records label, Payton recently released Sketches of Spain a new recording with ...

Article: Extended Analysis

Herbie Hancock: The Complete Columbia Albums Collection 1972-1988

by John Kelman
November 4, 2013

As Legacy Records slowly works its way through complete album collection boxes for artists ranging from Stanley Clarke and The Brecker Brothers to the massive Miles Davis and Johnny Cash boxes, one of the notable absences has been keyboardist Herbie Hancock. While he was not a Columbia artist for as long as either Cash or Davis, ...

Article: Album Review

Lin Rountree: Serendipitous

Read "Serendipitous" reviewed by Jeff Winbush

by Jeff Winbush
October 7, 2013

When a musician goes into the studio the opportunity always exists for something special to come out. They can really go for it and go in a bold, fresh, new direction and see if something innovative and exciting is the result.Or they can just make the doughnuts. Serendipitous is the sound of Detroit-based trumpeter ...

Article: Take Five With...

Take Five With Cheryl Pyle

by AAJ Staff
October 2, 2013

Meet Cheryl Pyle:The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...

Article: Profile

Jimmy Ponder: His Recorded Output

by Colter Harper
September 28, 2013

Jazz history has been intimately tied to its recorded output. Styles and genres are defined by landmark records, which stand responsible for representing the diffuse activities and artistic visions of a given musical community or individual. However, recordings are not simply glimpses of past musical realities but rather images of those realities filtered through various “lenses." ...

Article: Interview

Alex Norris: King Band Geek

by George Colligan
September 26, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]When I was a young middle school trumpet player in Columbia, MD, Alex Norris was kind of a musical legend around Howard County. Not only was he arguably the best trumpeter in the state, but he could play funk electric bass, and ...

Article: Interview

Mike Clark: East Bay Funk

by George Colligan
September 25, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I remember the first time I heard the classic Herbie Hancock album Thrust (Columbia, 1974). It was on the radio, if you can believe it. The song “Actual Proof" burned into my brain: I had been a fan of Herbie's, especially of ...

Article: Extended Analysis

Woody Shaw: The Complete Muse Sessions

by John Kelman
September 9, 2013

The past couple years have been banner ones for reviving the legacy of Woody Shaw, a trumpeter and composer who--emerging in the early '60s on albums by extant jazz stars like Eric Dolphy, Andrew Hill, McCoy Tyner and Horace Silver, and contributing to on-the-rise names including Larry Young and Chick Corea--has all-too-often been overlooked. Still, with ...

Article: Jazz Ed

Gary Bartz: Students Are Learning But They Are Learning Backwards!

by Joan Gaylord
August 19, 2013

"This is folk music. It is good that we have it in the schools, but we need to get it back more into the street--that's where it came from." When saxophonist Gary Bartz is not headlining his own band or touring with McCoy Tyner, he is a professor in the Jazz Studies department ...