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Brian Charette: Once & Future
by Dan Bilawsky
Nobody who wields an instrument of any sort can truly escape the gravitational pull of history. There are many who try to fight it, but better to embrace what came before, acknowledge where a sound or concept originates, and use that knowledge as both a port of arrival and a point of departure. There are no ...
Will Bernard: Out & About
by Doug Collette
As if more proof was necessary Out & About confirms guitarist Will Bernard is as skilled a bandleader as he is an instrumentalist. And both roles require an artful approach as this album makes clear: it's one thing to find talented musicians--as Bernard most certainly does here--it's quite another to elicit that talent in such a ...
Burlington Discover Jazz Festival 2016
by Doug Collette
Discover Jazz Festival Burlington, Vermont June 3-12, 2016 With thirty-two years of history, the Burlington Discover Jazz Festival is an avowed tradition, but those who oversee the wide variety of events that take place in Vermont's Queen City for the duration of its multiple nights regularly find a way to inject fresh ...
Will Bernard: Out & About
by Dan Bilawsky
Will Bernard has received his due for sideman work in a variety of settings, but you rarely hear anybody talk about stylistic range when it comes to his own leader dates. This is the album that could--and should--change that. Over the course of eleven originals, Bernard continually frames himself in different ways, constantly redefining his outlook ...
Uno sguardo alla chitarra nel jazz contemporaneo
by Mario Calvitti
La chitarra è ormai da decenni uno degli strumenti più popolari e diffusi nel jazz; tanti sono stati, e sono tuttora, gli interpreti di questo strumento, protagonisti di un suo progressivo affrancamento dalle iniziali convenzioni per arrivare a renderlo sempre più libero e trasversale, al servizio di una maggiore e completa espressività del musicista che lo ...
Brian Charette: Alphabet City
by Bruce Lindsay
Alphabet City is organist Brian Charette's ninth album, titled for the part of Manhattan where he lives (in the building which featured on the cover of Led Zeppelin's Physical Graffiti, apparently). He's alongside guitarist Will Bernard and drummer Rudy Royston, both familiar names on numerous other releases for Posi-tone Records: a standard, though high quality, organ ...
Brian Charette: Alphabet City
by Dan Bilawsky
Organist Brian Charette brings his A-game to Alphabet City. But who would expect anything else from this consummate artist? After delivering a covers-heavy program with two different trio lineups on Good Tipper (Posi-Tone, 2014), Charette returns here with an all-originals outing that finds him in the company of guitarist Will Bernard and drummer Rudy Royston.
Peter Apfelbaum's Sparkler: I Colored It In For You
by Dan Bilawsky
I Colored It In For You is such a tease. Broad-minded multi-instrumentalist Peter Apfelbaum uses this brief EP--the two-part title track and a remix from M.O.D. co-founder Bill Laswell are it--to introduces a sui generis small group known as Sparkler. Apfelbaum, covering vocals, keys, saxophones, and percussion, teams up with rising star trombonist/vocalist ...
Don't Cry for No Hipster
By Ben Sidran
Label: Nardis
Released: 2014
Track listing: Back Nine; Brand New Music; Don't Cry for No Hipster; At Least We Got to the Race; Can We Talk; In the Beginning; It Don't Get No Better; Dying Anyway; Private Guy; Reflections; Take a Little Hit; Sixteen Tons; Rich Interior Life; Hooglin'.
M.O.D. Technologies To Release Peter Apfelbaum's Sparkler, I Colored It In For You, As Part Of Incunabula Digtal Series; Plus CD Release Party At Nublu, 12/10
Brooklyn-based multi-instrumentalist Peter Apfelbaum (New York Hieroglyphics) introduces the debut track by his newest band, SPARKLER. Co-produced by Apfelbaum and Aaron Johnston (Brazilian Girls) and featuring Natalie Cressman (vocals, trombone) and Jill Ryan (vocals, alto sax), I Colored it in for You is a multidimensional electronic world music track with lyrics as Apfelbaum explains, about the ...
