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Julien & John: Just The Way We Are
by Ian Patterson
Not to be confused with the Julian and John duo of Bream and Williams fame, Julien and John are Julien Colarossi and John Keogh, two fine guitarists in their own right. This is the Dublin duo's second release, eighteen months on from Street Life (Self-Produced, 2016). Like their debut recording, Just The Way We Are sees ...
C. Michael Bailey’s Best Recordings of 2017
by C. Michael Bailey
This year marks my 20th contributing to AAJ. Twenty years ago, I was 38 years old looking for an outlet for my music writing that had somehow avoided me until I came across an opportunity disguised as a call for articles from one Michael Ricci in Philadelphia. I emailed my review of Art Pepper's San Francisco ...
Pat Martino Quintet at Chris' Jazz Cafe
by Victor L. Schermer
Pat Martino Quintet Chris' Jazz Cafe Philadelphia, PA November 24, 2017 This first set of legendary Pat Martino's yearly two night Thanksgiving engagement at Chris' Jazz Café celebrated the release of his Quintet's CD Formidable (HighNote, 2017). The guys were really prepared for some hefty music-making, deserving the word “formidable," ...
Pat Martino: Formidable
by Victor L. Schermer
The title “Formidable" and the striking cover photo of Pat Martino in profile in front of a statue of a lion suggests that the great guitarist is going to unleash awesome powers. However, the proper meaning of formidable in this context is more to be taken as the presence of the master. Here and now, in ...
Ronny Jordan: A pioneer of Acid Jazz, a Staple of Smooth Jazz
by Alan Bryson
This month marks guitarist Ronny Jordan's 55th birthday. A trailblazer in acid jazz, his debut album The Antidote foreshadowed Miles Davis' embrace of hip hop with the album Doo-Bop by six months. Moreover, Jordan's track “After Hours" also had a profound impact on smooth jazz as you will read in the following interview. This interview was ...
King Crimson: Sailors' Tales 1970-1972
by John Kelman
If it's a fundamental truth that adversity can sometimes bring the absolute best, creatively speaking, out of music and the people who make it, then the roughly 23 months following the release of King Crimson's classic 1969 debut, In the Court of the Crimson King (Island)--and, after a single North American tour, the breakup of its ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Eddie Daniels and Roger Kellaway: Just Friends: Live at the Village Vanguard
by C. Michael Bailey
Resonance Records has dramatically improved the respective discographies of Bill Evans (Live At Art D'Lugoff's Top of The Gate (2012), Some Other Time: the Lost Session From the Black Forest (2016), Another Time: The Hilversum Concert (2017)); Wes Montgomery (Echoes of Indiana Avenue (2012), Wes Montgomery: In The Beginning-Early Recordings from 1949-1958 (2015), Smokin' in Seattle: ...
Kevin Eubanks: East West Time Line
by Mario Calvitti
Il nuovo album del chitarrista Kevin Eubanks, che segue Duets realizzato nel 2015 con il collega Stanley Jordan, si innesta direttamente nella grande tradizione della chitarra jazz, di cui da oltre trenta anni è uno dei maggiori interpreti. Da sempre poco interessato a sperimentazioni timbriche o strutturali, Eubanks ha preferito concentrare il suo approccio allo strumento ...
Terje Rypdal: Bleak House
by Karl Ackermann
Psychedelic rock was hardly a recognized genre in 1967 Norway, but it was where a self-taught guitarist, barely out of his teens, made a brief stop on his way to becoming a global force in music. Terje Rypdal recorded a single album with a group called The Dream that year. The group subsequently signed with Polydor ...
