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Mike Clark: Standard Deviations
by Paul Rauch
Bringing new life to jazz standards is a longtime tradition in jazz, whether it be on the bandstand or in the studio. With their latest Sunnyside recording, Standard Deviations, the iconic drummer Mike Clark and Los Angeles-based tenor saxophonist Michael Zilber venture there once again, following Mike Drop, their 2021 Sunnyside release. The result is a ...
Muriel Grossmann: MGQ Live Im King Georg, Köln
by Mark Corroto
Muriel Grossmann has firmly established herself in the realm of spiritual groove jazz. With her 19th release as a leader, the Paris-born, Vienna-raised saxophonist--now based in Spain--presents her first live recording. Joined by her long-standing ensemble MGQ, which features Serbian-born guitarist Radomir Milojkovic and drummer Uros Stamenkovic, along with Spanish Hammond B3 organist Abel Boquera, the ...
Ola Onabulé: A Tapestry of Soul, Jazz and Global Roots
by Angelo Leonardi
Singer-songwriter and producer Ola Onabulé shares insights into his life and work, spotlighting his eclectic collaboration with guitarist Nicolas Meier, which led to the release of Proof of Life (Self Produced, 2025). Both based in London, the British-Nigerian vocalist and Swiss guitarist discovered, during the isolation of the pandemic, a shared empathy in their ...
Louis Stewart: I Thought About You
by Ian Patterson
For jazz guitar fans, and for aficionados of Irish guitarist Louis Stewart in particular, the 2022 relaunch of '70s label Livia Records has been manna from heaven. This is the born-again label's fifth reissue of the great Dublin six-stringer's out-of-print recordings since the series launched with Stewart's other 1977 album Out on His Own (Livia Records, ...
Steve Bryant: New Town
by Kyle Simpler
Near the end of James Baldwin's short story, “Sonny's Blues," the narrator watches Sonny perform in a jazz club, where he describes the crowd as gathering around the piano while Sonny's fingers filled the air with life, his life. But that life contained so many others. In many ways, this description captures the essence of musicianship. ...
Ola Onabulè: una musica senza confini
by Angelo Leonardi
Il cantautore e produttore Ola Onabulé ci parla della sua vita e del suo lavoro a partire dall'eclettica collaborazione col chitarrista Nicolas Meier, che ha portato alla recente uscita dell'album Proof of Life. Entrambi residenti a Londra, il vocalist britannico d'origine nigeriana e il chitarrista svizzero hanno scoperto, nei mesi dell'isolamento pandemico, di condividere empaticamente i ...
Kristen R. Bromley Quartet: Wes 101
by Jack Bowers
Guitarist Kristen Bromley does not try to hide her admiration for an illustrious predecessor, the late great Wes Montgomery. Indeed, that respect is the central theme on Wes 101, Bromley's seventh recording as leader and/or soloist. She and her quartet embrace eight of her charming and luminous compositions, several of which were inspired by tunes that ...
Dave Stryker: Stryker with Strings Goes to the Movies
by Richard J Salvucci
If this recording were named “Dave Stryker Plays Bernard Hermann" (or Miklós Rózsa or Elmer Bernstein), well that would be just fine. They were all gifted composers who wrote film scores. The consensus would likely be that a musician like Stryker was hardly wasting his time, but Stryker With Strings Goes to the Movies hits the ...
Jackie McLean, Eugene Chadbourne, and Miho Hazama
by Jerome Wilson
Technical difficulties prevented me from recording last week's show, so instead here is a vintage one from February 9, 2021. The musicians featured here include Jackie McLean, Susan Alcorn. Miho Hazama, Dave Burrell, and Eugene Chadbourne. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings ...
Jon Bentley: Go Ahead!
by Jack Bowers
There is really nothing to censure on Vancouver, Canada-based tenor saxophonist Jon Bentley's latest album, Go Ahead! On the other hand, there is nothing of any import that sets it apart from other straight-ahead quartet sessions aside from the fact that Bentley employs an organ and guitar to replace the usual piano and bass.
