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Milt Jackson: Sunflower
by John Kelman
With a series of mainstream dates to his credit dating back to the early 1950s—not to mention charter membership in the now-legendary Modern Jazz Quartet (MJQ) and one-offs with everyone from bop saxophonist Charlie Parker to “new thing" saxophonist John Coltrane—vibraphonist Milt Jackson was the clear link between his instrument's swing era beginnings with Lionel Hampton ...
CTI Masterworks: The Second Batch
by John Kelman
After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...
Laurindo Almeida, Charlie Byrd, and Ralph Towner
by Sean Dietrich
The concert guitar is hailed by many as the perfect instrument. After being perfected in the Baroque age, virtuosos believed the wooden torso to posses the variety of an orchestra. The concert guitar produces a wide range of tone, timber, color, and dynamic expression unlike any other stringed instrument, capable of projecting a delicate voice of ...
Dave Liebman: A New York Story
by John Kelman
A few months shy of 65, saxophonist Dave Liebman may be having the busiest time of his career, now in its fifth decade. In the past 12 months, nearly a dozen releases have demonstrated the tremendous stylistic breadth of a musical oeuvre that kicked into high gear early, when, in the short span of three years, ...
Paris Jazz Diary 2010
by Patricia Myers
Travelers who stay in Paris for more than three days without hearing live jazz will miss a vital element of Parisian life. Jazz is as easily available as French wine and crusty baguettes, with performances seven nights a week throughout the City of Light. It's been this way since jazz first entered Paris in the 1920s, ...
Anil Prasad: Inner Views, Borderless Perspectives
by Joe Lang
He may not be a household name and you likely won't hear him mentioned in music journalism classes alongside Robert Christgau, Lester Bangs and Anthony DeCurtis. But for those familiar with his work, Anil Prasad is considered among the most knowledgeable, provocative and forward-thinking music journalists in the world today. In 1994, Prasad ...
Dutch Jazz & World Meeting 2010: December 1-3, 2010
by John Kelman
Dutch Jazz & World MeetingAmsterdam, The NetherlandsDecember 1-3, 2010 As difficult as it can sometimes be to appreciate how far jazz has evolved since making its first infant steps in the United States at the beginning of the 20th Century, it's equally remarkable to consider the scene in Europe. Beginning as a relative ...
Charles Pillow: Sound Crafter
by Victor L. Schermer
Charles Pillow is a musician's musician who works with diverse ensembles from jazz to pops to classical, small group to large ensemble, straight-ahead to avant-garde. He grew up in Baton Rouge, La., and studied music at the Eastman School of Music in Rochester, before eventually settling in the New York City area as a working professional.
Hugo Carvalhais: Nebulosa
by Mark Corroto
Fans of American saxophonist Tim Berne are often inclined to seek out his latest recordings. Two 2010 sessions finds him as a sideman--bassist Michael Formanek's The Rub And The Spare Change (ECM), and this superb discovery from another bassist, Hugo Carvalhais.The Portuguese bassist composed all the music, played by Berne and fellow countrymen Gabriel ...
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Jazz Raconteurs
Julius Hemphill: Marty Ehrlich and Tim Berne Remember a...
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John Coltrane At 100: A Global Perspective
History of Jazz
John Coltrane in Detroit: A Brief History
Live Review
Detroit Jazz Festival 2026: A Gathering in a Great Jazz City
Profile
Sequoia Snyder: Growing in the Light of the Masters
Interview
Jasur Khalilov: From Falak to Fusion
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The Discreet Charm of Tete Montoliu
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