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Article: Interview

John Beasley: Everyone Loves John

Read "John Beasley: Everyone Loves John" reviewed by Scott Mitchell


Keyboardist John Beasley (aka “The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...

5

Article: Album Review

Acuna - Hoff - Mathisen: Barxeta

Read "Barxeta" reviewed by John Kelman


With Jungle City (Alessa, 2009), Norwegians Jan Gunnar Hoff (keyboards) and Per Mathisen (bass) documented their meeting with Peruvian-born Alex Acuña, a Weather Report alum who leapt onto the international stage, first as percussionist and then kit drummer, on the fusion super group's Black Market (Columbia, 1976) and Heavy Weather (Columbia, 1977). That, after a first ...

News: Recording

Indonesian Guitar Legend Dewa Budjana Releases "Dawai In Paradise" on MoonJune Records

Indonesian Guitar Legend Dewa Budjana Releases "Dawai In Paradise" on MoonJune Records

MoonJune Records is proud and pleased to present the incredible artistry of legendary world-class guitarist, Dewa Budjana. Renowned throughout his native Indonesia, his status as a maestro is well-deserved and immediately apparent. Dewa's fifth solo album, Dawai In Paradise, explores his vast, diverse array of guitar stylings in a host of fresh, powerful, intriguing musical settings. ...

8

Article: Opinion

Death, Rebirth & New Revolution

Read "Death, Rebirth & New Revolution" reviewed by Ian Patterson


The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...

8

Article: Interview

John Daversa: Bursting Out of LA

Read "John Daversa: Bursting Out of LA" reviewed by R.J. DeLuke


Seen in the hallways at California State University in Northridge, a neighborhood of Los Angeles, where he teaches big band arranging, jazz history and other music courses, John Daversa might be seen with his goatee, and dense, dark and curly hair, parted in the middle, and correctly sense he might be involved in one of the ...

7

Article: Album Review

Wayne Shorter Quartet: Without a Net

Read "Without a Net" reviewed by John Eyles


It is now well over a decade since legendary saxophonist Wayne Shorter formed this quartet with Danilo Pérez, John Patitucci and Brian Blade to tour and record Footprints Live! (Verve, 2001), an album which signaled the end of a period in the doldrums for Shorter and a cracking return to form. The energy and verve of ...

5

Article: Album Review

Wayne Shorter: Without a Net

Read "Without a Net" reviewed by Mark F. Turner


The cover art of Without a Net alone might raise a few eyebrows, but it's the music that proves saxophonist Wayne Shorter is still one of jazz's most ardent provocateurs. In his return to Blue Note after 43 years, Shorter--who turns 80 in 2013-- demonstrates his ongoing vitality and ingenuity as an extraordinary composer, improviser, and ...

6

Article: Album Review

Miles Davis Quintet: Live in Europe 1969: The Bootleg Series Vol. 2

Read "Live in Europe 1969: The Bootleg Series Vol. 2" reviewed by Doug Collette


It's little surprise that the recordings comprising Live in Europe 1969: The Bootleg Series Vol. 2 were captured in the wake of the recording of the jazz icon's seminal album In A Silent Way (Columbia, 1969) and prior to the release of the even more significant followup, Bitches Brew (Columbia, 1970), in the spring of the ...

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Article: Extended Analysis

Wayne Shorter Quartet: Without a Net

Read "Wayne Shorter Quartet: Without a Net" reviewed by John Kelman


Since convening a new quartet for the 2001 tour that resulted in Footprints Live! (Verve, 2002), soon-to-be-octogenarian saxophonist Wayne Shorter has found himself in the company of a group that's not just turned out to be, hands-down, his most exciting and exploratory acoustic ensemble in a career well into its sixth decade, but now, a dozen ...

11

Article: Interview

Carles Benavent: Jazz, Flamenco and Blues

Read "Carles Benavent: Jazz, Flamenco and Blues" reviewed by Bruce Lindsay


Of all the instrumentalists in contemporary music, only a handful have become game changers. Jazz trumpet has Louis Armstrong, rock guitar has Jimi Hendrix, jazz saxophone has Charlie Parker. Flamenco bass guitar has Carles Benavent. Benavent's fluid, melodic and emotive style of playing is as beautiful as it is distinctive. Developed initially from a love of ...


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