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6

Article: Profile

Julie Sassoon: Dancing in the Shadows

Read "Julie Sassoon: Dancing in the Shadows" reviewed by Duncan Heining


It's been seven years since British pianist and composer Julie Sassoon released her first solo CD, New Life (Babel). Since then, she and her family have moved to Berlin and Sassoon has quietly established herself in Germany as an unusual and unique talent. It's been a long wait for fans but her new live album, Land ...

16

Article: Catching Up With

Randy Brecker: A Fusion Legacy

Read "Randy Brecker:  A Fusion Legacy" reviewed by R.J. DeLuke


On stage at the North Sea Jazz Festival in Holland last July, the ubiquitous trumpeter Randy Brecker lowered his horn after playing two joyous and funky numbers on the stage that is one of the festivals largest venues, serving as a hockey arena during the appropriate season. There were throngs of people, sitting and standing, gleefully ...

23

Article: Extended Analysis

Herbie Hancock: The Complete Columbia Albums Collection 1972-1988

Read "Herbie Hancock: The Complete Columbia Albums Collection 1972-1988" reviewed by John Kelman


As Legacy Records slowly works its way through complete album collection boxes for artists ranging from Stanley Clarke and The Brecker Brothers to the massive Miles Davis and Johnny Cash boxes, one of the notable absences has been keyboardist Herbie Hancock. While he was not a Columbia artist for as long as either Cash or Davis, ...

4

Article: Multiple Reviews

John Lilja's Robblerobble

Read "John Lilja's Robblerobble" reviewed by Eyal Hareuveni


American double bassist John Lilja, based in Stavanger, Norway, for more than 15 years, has collaborated frequently with the fertile, genre-bending, community of musicians of Stavanger, among them saxophonist Frode Gjerstad' s Circulasione Totale Orchestra, Kitchen Orchestra and trumpeter Gunhild Seim's Time Jungle. The quintet Robblerobble is Lilja's first project as a ...

6

Article: Extended Analysis

The Wrong Object: After the Exhibition

Read "The Wrong Object: After the Exhibition" reviewed by Dave Wayne


Sometime during the late 1960s, adventurous European rock musicians led by the likes of Gong, Soft Machine, Magma, and Arzachel began incorporating elements of avant-garde jazz, contemporary classical and various ethnic musics into their own original progressive rock music. The result varied somewhat from region to region, but the most important thing was that very little ...

6

Article: Extended Analysis

Saturday Morning

Read "Saturday Morning" reviewed by Ian Patterson


Just over a year after Blue Moon (Jazzbook Records, 2012) —Jamal's stellar homage to American cinema and Broadway—the Pittsburgh pianist returns in the same rich vein of form on Saturday Morning. Blue Moon earned a Grammy nomination, and for the second time in recent years Jamal was invited to open the Lincoln Center season in September; ...

10

Article: Live Review

2013 Thelonious Monk Institute Competition

Read "2013 Thelonious Monk Institute Competition" reviewed by Franz A. Matzner


The saxophone is the most iconic of jazz instruments. Its image is all that is needed to invoke the music's essence, its history intimately entangled with the cultural arc of American music and urban culture. Its masters are the most recognized outside jazz circles and its sound most closely identified with the art form. To many, ...

2

Article: Take Five With...

Take Five With Cheryl Pyle

Read "Take Five With Cheryl Pyle" reviewed by AAJ Staff


Meet Cheryl Pyle:The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...

9

Article: Live Review

Down With Jazz 2013

Read "Down With Jazz 2013" reviewed by Ian Patterson


Down With JazzMeeting House SquareDublin, IrelandSeptember 6-8, 2013 Father Conefrey must be turning in his grave. He's surely cursing the cruel fates, for jazz you see, is alive and kicking in Dublin. On New Year's Day 1934 Father Conefrey led a 3,000-strong protest on the streets of Mohill in County Leitrim ...

26

Article: Interview

Manu Katché: The Colors I See

Read "Manu Katché: The Colors I See" reviewed by Adriana Carcu


Manu Katché is one of those few names familiar to a large audience of quite different musical orientations. Along his career he has played with some of the most representative pop, rock, country, jazz--and even classical--musicians. Katché's immense adaptability and emulative spirit, together with the harmonic roundness of tone on his instrument, make him to an ...


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