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Ai Confini Tra Sardegna e Jazz - XXXI Edizione
by Paolo Peviani
Sant'Anna Arresi (CI) 01-10.09.2016 Per questa trentunesima edizione, il festival Ai Confini Tra Sardegna e Jazz ha messo al centro del proprio programma la figura di Frank Zappa. Trattandosi di una manifestazione prevalentemente dedicata all'improvvisazione radicale, la rivisitazione del repertorio zappiano non poteva (non doveva!) limitarsi all'agiografia, al tributo, alla riproposizione ...
Ethan Margolis: Perfect Mission of Feeling
by Chris M. Slawecki
Describing guitarist, composer, bandleader, producer and conceptualist Ethan Margolis as a citizen of the world barely does him or his music justice. Born and raised in Cleveland (OH), Margolis left the US when he was 21 to study the art of Gypsy flamenco guitar in Spain. He stayed there for more than a decade, living alongside ...
Miroslav Vitous: Music of Weather Report
by Claudio Bonomi
Potremmo subito dire che questo album è un acquisto obbligato per tutti coloro che hanno amato, e continuano ad amare, i Weather Report e, soprattutto, la loro libertà musicale e il loro spirito avventuroso. Miroslav Vitous, contrabbassista di origine ceca, fu uno dei co-fondatori della band insieme a Joe Zawinul e a Wayne Shorter ...
Marina Albero: The Sweetness of the Edge
by Paul Rauch
Marina Albero burst onto the Seattle jazz scene in April of 2014, playing a brilliant set on vibraphone in a duo with flamenco jazz master, pianist Chano Dominguez. That evening we were not only introduced to her music, but to our new neighbor, as she was moving her family to Seattle from Barcelona. Since that time ...
Blameful Isles: Strange But Not Entirely Unattractive
by Dave Wayne
Essentially a one-man-band based in Sweden, Blameful Isles is one of many artists who are actively rediscovering and re-processing the sounds of the early jazz-rock movement of the 1970s. Overall, the ongoing re-vitalization of jazz-rock and fusion has been a really good thing. For audiences of a certain age, the mere sound of a real Fender ...
Per Mathisen: Sounds of 3
by Geno Thackara
“We never solo, we always solo." Like so many great ideas, Joe Zawinul's iconic line about his group Weather Report is both brilliantly simple and allows for endless possibilities. No single player gets featured in the spotlight while the others provide a steady pattern behind them; rather everyone constantly improvises around the framework of a given ...
Mike Baggetta: Spectre
by Mark F. Turner
Mike Baggetta has produced a number of quality recordings over the years yet Spectre may be his most compelling project to date. The guitarist delves into some “live" sound processing which include an array of delicate textures, sampling and loops undoubtedly influenced by ECM recording artist David Torn who mastered this release. Though ...
Montreux Jazz Festival 2016
by Ian Patterson
Montreux Jazz Festival 2016 Various Venues Montreux, Switzerland July 9-12, 2016 No matter at what point, or for how long you dipped into the Montreux Jazz Festival during the seventeen days of its 50th edition, the sense of history was palpable. Charles Lloyd was present, just as he was ...
Miroslav Vitous: Music of Weather Report
by Mark Sullivan
Bassist Miroslav Vitous was a founding member of Weather Report, making him one of the architects of the highly improvisational approach taken by the original band. On his earlier album Remembering Weather Report (ECM, 2009) he evoked the spirit of the old band and its collective improvisational style (characterized by keyboardist Joe Zawinul as “No one ...
Miles Davis: In Time, All Changes
by Mark Werlin
Considered the most influential small jazz group of the middle 1960s, the Miles Davis “Second Great Quintet" has often been imitated but never equaled. Critical consensus holds that the revival of jazz in the 1980s was inspired by the six albums the Quintet recorded from 1965-1968. But a set of particular cultural and personal dynamics shaped ...
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