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Pat Martino Top Ten Albums: More Than Meets The Eye
by Ian Patterson
Hugely admired by his peers, guitarist Pat Martino never really enjoyed the high profile accorded the likes of John McLaughlin, John Abercrombie, Pat Metheny or John Scofield, though in that esteemed company the Philadelphian guitarist, who passed away in 2021, surely belongs. In a sixty-year career, interrupted for the guts of a decade by ...
Wadada Leo Smith, William Parker & Aakash Mittal
by Maurice Hogue
Two of the most important creators of original music are featured in this episode—trumpeter Wadada Leo Smith and his Great Lakes Quartet with the entire “Diamond Symphony" from The Chicago Symphonies, the second of two releases by Tum Records, and bassist William Parker with a piece from Painters Winter and one from Blue Limelight, one of ...
Nicola Angelucci: Il ritmo dei cambiamenti
by Paolo Marra
Con il suo ultimo lavoro, Changes (Flying Spark), Nicola Angelucci ci trasporta nella nostalgica liricità della tradizione musicale italiana, espressa attraverso una scrittura musicale fresca e allo stesso tempo profonda che non lascia spazio a meri formalismi ma soltanto alle emozioni più riflessive. Con gli undici brani contenuti nel CD il batterista e compositore dà vita ...
Burnt Belief: Mutual Isolation
by Mark Sullivan
Mutual Isolation is the fourth album from Burnt Belief, the collaborative project of guitarist Jon Durant and bassist Colin Edwin. Edwin is known for playing in Porcupine Tree, his duet Twinscapes with bassist Lorenzo Feliciati, and O.R.k. with King Crimson drummer Pat Mastelotto, among other projects. Durant has made a series of solo soundscape albums and ...
The 1979 Playboy Jazz Festival
by Jon Deshler
I began producing my Jazz Passages Archive when I was 14 in the '70s, as a young trumpet student and photography enthusiast growing up in the San Fernando Valley. In June of 1979 serendipity aligned with a high school buddy/usher, which led to me attending the first Playboy Jazz Festival at the Hollywood Bowl. At 16 ...
Pat Martino: Creative Force
by Mike Brannon
This article was first published at All About Jazz in June 2000. Pat Martino. A name that strikes anything from fear to sheer awe and reverence in musicians who know who this is. And what he's done and been through. And continues to go through. The name resonates a bridge between the true Jazz ...
Meet Kenneth Cobb
by Tessa Souter and Andrea Wolper
We suppose it makes sense that our latest Super Fan, a high-level mathematician—a contractor for NASA, no less—would keep meticulous records about, well, everything, from his massive CD and LP collection, to his personal road trip “mix tapes," to every concert he's attended. But applying his mathematical genius to fitting an entire week's worth of music ...
Your Eggs Scrambled, Any Way You Like
by Mike Jacobs
This edition of BackTracks takes a look at a few selections that might rewire, reset, thoroughly scramble or even short-circuit the “normal" music pathways of your noodle. These five selections are each capable of this in subtle or sometimes not-so-subtle ways. Everything from stylistic jumbles and conceptual twists to abandonment of premeditated form and utter mayhem ...
Mike Clark: The Drummer Gets (And Gives) Some!
by Doug Collette
Drummer Mike Clark must've already had some estimable pedigree in the first place to be invited to join Herbie Hancock's seminal funk/fusion ensemble Headhunters back in the Seventies. But the man at the kit only built upon his existing prestige during his tenure with that group and then went on to expand upon his rep with ...
Who Do You Think We Are?
by John Kelman
Trying to find a distinct definition of what has come to be known as “The Canterbury Sound" is as elusive as attempting to describe what, in the jazz world, has become an overused epithet for the German ECM Records label and “The ECM Sound." Attempts to do so usually fail short because, rather than being actual ...
