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7

Article: Album Review

The Joshua Breakstone Trio: Children of Art: A Tribute to Art Blakey’s Jazz Messengers

Read "Children of Art: A Tribute to Art Blakey’s Jazz Messengers" reviewed by Mark Sullivan


When last heard from, guitarist Joshua Breakstone was exploring the music of legendary jazz pianists with his Cello Quartet on 88 (Capri Records, 2016). On this album he is joined by double bassist Martin Wind (whose credits include several recordings with drummer Matt Wilson as well as dates as leader) and drummer Eliot Zigmund (who is ...

38

Article: Year in Review

Karl Ackermann’s Best Releases of 2019

Read "Karl Ackermann’s Best Releases of 2019" reviewed by Karl Ackermann


2019 was the year when one couldn't turn an ear without hearing a release that featured either Kris Davis or Matthew Shipp. Between the two pianist/composer/improvisers, listeners have been treated to more than a dozen recordings, each noteworthy. Then there is Satoko Fujii. On the heels of her 2018, twelve-album birthday celebration, the pianist issued another ...

8

Article: Album Review

Blue Note All Stars: Our Point Of View

Read "Our Point Of View" reviewed by Chris May


Different generations of Blue Note stars come together on this double-album to celebrate the label's legacy and to affirm its present-day relevance. Wayne Shorter and Herbie Hancock first recorded for Blue Note in the 1960s. Robert Glasper, Ambrose Akinmusire, Marcus Strickland, Lionel Loueke, Derrick Hodge and Kendrick Scott variously came on board in the 2000s and ...

60

Article: Radio & Podcasts

Wayne, Newk, 21st Century Tunes & A Vault Dive

Read "Wayne, Newk, 21st Century Tunes & A Vault Dive" reviewed by Marc Cohn


Our 2 features this week: quartet tracks from Wayne Shorter's Emanon (the Downbeat Magazine's Critics and Readers Poll best album of the year) and Sonny Rollins' monumental Saxophone Colossus. We've got 21st century music from four bass players and two Chicago trumpeters. And, of course, a waltz through the vaults with Fletcher Henderson, Bessie Smith, Charles ...

10

Article: SoCal Jazz

Douye: Live at LACMA

Read "Douye: Live at LACMA" reviewed by Jim Worsley


No doubt, LACMA (Los Angeles County Museum of Art) wanted to finish their jazz music series with a flourish. Reaching out to the enchantingly superb jazz vocalist Douye proved to be the right call. Jazz at LACMA is presented on Friday nights from April through November. In the past they have had performances from artists such ...

8

Article: Film Review

Blue Note Records Beyond The Notes

Read "Blue Note Records Beyond The Notes" reviewed by Chris May


Blue Note Records Beyond The Notes Director: Sophie Huber Run Time: 111 minutes Eagle Rock Entertainment 2019 Blue Note fans will love this film. It is an unblemished, 360-degree, feel-good feast for the eyes and the ears. Intended by director Sophie Huber to make sense ...

11

Article: Album Review

Ezra Weiss Big Band: We Limit Not The Truth of God

Read "We Limit Not The Truth of God" reviewed by Jerome Wilson


In 2015 Ezra Weiss began to compose a suite that he intended would be a cautiously optimistic message to his young children about the world they were living in and the challenges and promise they would face as they grew up. By the time this music was completed and recorded in December 2018, its mood and ...

6

Article: Radio & Podcasts

The Jazz Messengers in the 1960s (1960 - 1964)

Read "The Jazz Messengers in the 1960s (1960 - 1964)" reviewed by Russell Perry


As the 1960s began Art Blakey's Jazz Messengers were fueled by the compositions of Wayne Shorter with the front line of Shorter and Lee Morgan. In 1961, this transitioned to the last great Messengers lineup of the 1960s—and it was one of the best ever—Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor, ...

46

Article: Interview

Aaron Parks: Finding the Way to Little Big

Read "Aaron Parks: Finding the Way to Little Big" reviewed by Jiaowei Hu


"Always beginning. Often perplexed. Drawn to beauty and to the absurd. I play piano, write songs, and take pictures of doors with my phone. A bit odd." So is the pianist's own account on his website, written in a few scribbled sentences. About a decade ago, Aaron Parks created much of a stir through his debut ...

28

Article: SoCal Jazz

David Sanborn: The Curtain Rises on Sanborn Sessions

Read "David Sanborn: The Curtain Rises on Sanborn Sessions" reviewed by Jim Worsley


Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this ...


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