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Sons of Miles – Shorter, Hancock, Williams (1964 - 1968)
by Russell Perry
During the five-year tenure of Miles Davis's Second Great Quintet (1963—1968), Wayne Shorter, Herbie Hancock and Tony Williams were very active on their own projects, many of which included Ron Carter. Several of the resulting releases are classics of the period and laid the foundation for their significant careers after the Quintet broke up in 1968. ...
Two Twin-Tenor Duos
by Jerome Wilson
The idea of two tenor saxophonists playing together has a long, storied history in jazz through pairings like Dexter Gordon and Wardell Gray, Gene Ammons and Sonny Stitt, and Zoot Sims and Al Cohn. Such duos have become harder to find in recent years but here are two newer examples. Jeff Rupert / ...
A Jazz Immuno-Booster: Part 1
by Ludovico Granvassu
We may still be months away from developing vaccines to tame the threat that COVID19 poses to our bodies. But given the centrality of the mind-body connection for our physical well being, we should not forget that we continue to have music to support our minds during these challenging times. So I have reached ...
Robert Glasper: Canvas
by Chris May
Of the three dozen albums released in Blue Note's 180gm vinyl Blue Note 80 reissue series, Robert Glasper's 2005 debut, Canvas, is the only one recorded in the twenty-first century. Almost all of the other releases were recorded during Blue Note's 1950s and 1960s belle epoque. It is a singular distinction and an appropriate one, for ...
Miles Davis and the Second Great Quintet (1963 - 1968)
by Russell Perry
Miles Davis, through his adoption of modal music, participated in the gradual liberation that resulted in the free music of the jazz avant-garde--liberation from chord changes, from rhythm, from harmony, from melody, from structure. Yet, although he continued to explore broadly, he was public in his discomfort with free jazz. Despite this reluctance, the new quintet ...
Thomas Marriott: Trumpet Ship
by Dan McClenaghan
Spontaneity rules. Seattle-based trumpeter Thomas Marriott had a day off from touring with his quartet, so he decided to go into the studio and record an album: Trumpet Ship. His twelfth outing for Origin Records—all of them reaching for the stars, all of them getting there—this quartet album lines up after his stop-you-in-your-tracks gorgeous Romance Language ...
Maria Pia De Vito: Bergamo Jazz and Beyond
by Libero Farnè
Non tutte le cantanti, attraverso l'espressione interpretativa, riescono a mettere in piena evidenza il mondo socio-culturale che sta all'origine delle singole canzoni da loro proposte. Proprio questa sembra essere la preoccupazione irrinunciabile di Maria Pia De Vito, che col suo lavoro ha sempre teso a esaltare l'interconnessione, strettissima, indispensabile, fra il livello colto e quello popolare, ...
Jimmy Haslip: Amperes Beyond the BASSics, Part 2
by Jim Worsley
In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...
Lydian Sound Orchestra: Mare 1519
by Angelo Leonardi
Lo straordinario viaggio attorno al mondo del 1519 di Magellano e dei suoi uomini (tra cui il vicentino Pigafetta che ne raccontò le vicende) è il motivo da cui prende spunto il nuovo concept album della Lydian Sound Orchestra. L'anno di partenza di quella straordinaria spedizione (che si concluse, morto Magellano in battaglia, nel 1522) è ...
Pat Metheny: From This Place
by John Kelman
It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...
