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Dave Liebman: Placing Free Jazz and the Avant Garde in Musical and Historical Perspective
by Victor L. Schermer
Like free jazz, this interview arose spontaneously from an informal “how are you doin'" telephone conversation between saxophonist Dave Liebman and All About Jazz contributor Vic Schermer. Schermer phoned Liebman to compliment him on his new e-book The Art of Skill: Establishing the Mindset for Unleashing the Music Inside You published by Michael Lake, and how ...
Lebanese Pianist Tarek Yamani Drops Electro-Arabic-Jazz Mash-Up Single In Tribute To Buzuq Maestro Matar Muhammad
Tarek Yamani—a pianist who appears to have made it his life's work to figure out just how far Arabic musical traditions can be thrust into the American jazz idiom—has unleashed perhaps his most audacious project yet. Typically an acoustic player most often fronting a trio, Yamani makes a brave about face with “King Matar," a quarter-tonal ...
Joel Ross, Wayne Shorter & Sonny Stitt
by Joe Dimino
The 687th Episode of Neon Jazz begins with vibes star Joel Ross off his latest 2020 CD Who Are You? We spend a good portion of this hour looking into a wealth of music released in 2020 from artists including Ian Hendrickson-Smith, Linda Purl, Joanna Berkebile and Alex Koo. Enjoy the jazz. Playlist Joel ...
Andy Hague's Double Standards: Release
by Chris May
English musicians pay a price for living outside London—the country is too small to support more than one major metropolitan music hub, even in the digital age. The old adage out of sight, out of mind still applies. Trumpeter and record label director Matthew Halsall's Manchester-based Gondwana operation, and the vibrant spiritual jazz scene which is ...
Roy McCurdy: From Cannonball to the Rochester Music Hall of Fame
by Scott Gudell
When we placed a call from New York to Los Angeles in the early part of 2021, the articulate and vibrant drummer Roy McCurdy answered and quickly connected us back to the 1950s. He told us about his hometown of Rochester, New York, his early days performing with Chuck Mangione and Gap Mangione and how he ...
Andrea Balestra: A Rich Sicilian Odyssey
by Jim Worsley
Guitarist Andrea Balestra makes a cerebral investment with every note he plays and with all of his compositions. A lot of guitarists like to jam. Balestra isn't one of them. Substance is preferred over droning speed. His highly intensified music is born of traditional Italian music...being from Sicily perhaps a factor...a deep integration of blues, a ...
My Conversation with Chick Corea
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in August 1999. It would be silly for me to even attempt to pontificate on the ramifications Chick Corea has had on this music. But it should be universal that his impact has been substantial at worst. So I will let him ...
Eshed Korten Biolcati Kim: A Way Out
by Friedrich Kunzmann
One of the more exciting scenarios in jazz unfolds when a group of players comes together, not to realize one individual's specific vision, but just for the sake of making music together and to develop a chemistry which, ideally, was there from the beginning. The group effort here presents the fruits of such an occasion. A ...
Dan Bonsanti: Cartoon Bebop
by Jack Bowers
The malicious coronavirus pandemic that brought most of the world to its knees in 2020 has spawned the use of several reanimated words including “virtual," whose meaning is “sort of here but not really," as in virtual video chats, conference calls, exhibits, films and even musical performances. “Virtual" has spread its tentacles into almost every walk ...
Joe Chambers: Samba De Maracatu
by Chris May
Drummer Joe Chambers was unusual among the drummers who emerged on the Blue Note label in the mid 1960s in that not only did he generate a powerful beat, he wrote strong tunes, too. He played on, and often composed pieces for, albums by such Blue Note luminaries as saxophonists Wayne Shorter and Joe Henderson, vibraphonist ...
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