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Monsters from the Jazzlab
by Chris M. Slawecki
Rodrigo Almonte Distancia Odradek Records 2021 “Every piece of music on Distancia is an honest representation of a pilgrimage of different distances that I had to walk, musically and geographically speaking, in order to find inspiration and to create a representation of myself as a musical ...
Anthony Williams: Life Time & Spring Revisited
by Chris May
Drummer Tony Williams' first two albums as leader, recorded for Blue Note in 1964 and 1965--Life Time when he was only eighteen years old, Spring when he was nineteen--still sound delightfully fresh all these years after their original release. At the time he made them, Williams was a rising star with Miles Davis' second and third ...
Marquis Hill: New Gospel Revisited
by Chris May
Chicago-born trumpeter Marquis Hill released his first album while still in college and in 2022, just over a decade later, he has retooled it on New Gospel Revisited, recorded live in his hometown with a fresh lineup and tweaked instrumentation. It is a terrific disc. Like his near contemporary and fellow trumpeter Christian ...
Unhinging and Swinging Mythology at the Opera
by Josef Woodard
Wayne Shorter and Esperanza Spalding Broad Stage Southern California premiere of opera ...(Iphigenia) Santa Monica, CA February 19, 2022 When last I interviewed Wayne Shorter, in his panoramic view-endowed Hollywood Hills home, the ostensible primary subject was his then-new and ambitious three-disc-plus-graphic-novel project, Emanon. But his ever active, creatively restless ...
Arbenz X Vistel / Moutin: Conversation #4 (Vulcanized)
by Mark Corroto
Prompted by the pandemic, drummer and percussionist Florian Arbenz has set out to document 12 Conversations with musicians invited into his Basel, Switzerland recording studio. Conversation #1: Condensed was a trio with Brazilian guitarist Nelson Veras and American trumpeter Hermon Mehari. Conversation #2 & #3 found Arbenz with British vibraphonist Jim Hart and Swiss bassist Jim ...
Luke Stewart, Pablo Held, MonoNeon, John Hebert & More New Releases
by Ludovico Granvassu
From the irresistible Afro dancefloor life-affirming music of Nubyian Twist to two tributes to Wayne Shorter's contribution to the Miles Davis' Second Great Quintet, and a whole lot of other jazz declinations in this set. Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Nubiyan Twist “If ...
Meet Brian Blade
by Craig Jolley
This article was first published at All About Jazz in April 2000. Musical background I started playing when I was thirteen in church. My father was the pastor. My brother, Brady, who was five years older (he still is) was the drummer. He left for college so it became my duty to take over ...
Bill Charlap: Intellect And Emotion
by R.J. DeLuke
"I don't ever remember a time when I didn't play the piano," reflects pianist Bill Charlap, who has become one of the giants of his generation on his instrument of choice, as evidenced by the array of other great players with whom he has performed. With his deft and agile approach he can summon a fiery ...
Michael Bisio/Matthew Shipp: The Flow of Everything
by Karl Ackermann
In his definition of jazz, Wayne Shorter says “It's not...required to sound like jazz." It's a viewpoint to keep in mind when considering over-analysis of the bold activities of collaborators Michael Bisio and Matthew Shipp. Throughout their frequent partnerships, the pair have raised the bar on improvisation to a level that suggests an exceptional symbiotic form ...
Joan Hutton & Sue Orfield: Take That Back
by Dan McClenaghan
Joan Hutton and Sue Orfield's Take that Back opens with the smooth dark chocolate crooning of Hutton's bass clarinet. The tune is “Dirty Secret," a Hutton-penned, mid-tempo gem. And initially what comes to mind is (Bennie Maupin and Eric Dolphy aside) how rarely we hear the bass clarinet on a jazz album. Then Orfield's tenor sax ...
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