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Tierney Sutton: An Instrumentalist’s Singer
by Mathew Bahl
"Jazz demands something of you," says Tierney Sutton. The Los Angeles based singer is discussing the challenge of selling complicated, improvised music in a culture addicted to simple, pre-packaged formulas. “Being barraged in the media teaches people not to engage, not to seek great art, not to listen with their own ears, not to ...
Take Five with Jon De Lucia
by AAJ Staff
Meet Jon De Lucia Jon De Lucia is a Brooklyn-based saxophonist, clarinetist and composer. Originally from Quincy, MA, he moved to New York City in 2005.Since then he has performed in the US and internationally at the Burlington Discover Jazz Fest, the Tanglewood Jazz Festival, and the Tamana-shi Jazz Festival in Japan. In New York he ...
Tenderlonious: You Know I Care
by Neil Duggan
Ed Cawthorne, also known as Tenderlonious, is a versatile multi-instrumentalist able to combine genres and styles which to date have included Indian classical ragas with his quartet Jaubi, jazz fusion takes on the music of John Coltrane and Yusef Lateef with his bands Ruby Rushton and 22archestra, and electro funk and ambient electronica in his solo ...
Jonathan Kreisberg: Night Songs
by C. Andrew Hovan
Although technical proficiency and filigreed improvisations often catch the attention of the average jazz fan, those in the know will insist that you can't really evaluate the mettle of a jazz musician until you hear how he interprets a ballad. Memorable efforts from the jazz cannon that fruitfully establish a reflective mood over the length of ...
Manuel Valera Quintet: Vessel
by Chris May
Cuban born and raised, pianist and composer Manuel Valera moved to the US in 1994, attending high school in Florida before moving to New York City in 2000 to study at the New School. His classmates included Robert Glasper, Mike Moreno, Michael Rodriguez, Marcus Strickland and E.J. Strickland. Fast company. Valera's career as ...
Dan Rosenboom: Polarity
by Jerome Wilson
On this album, trumpeter Dan Rosenboom and his quartet engage in a free-wheeling session which comes off as a modern update of Wayne Shorter releases such as The All-Seeing Eye (Blue Note, 1966). He engages in playful genre-crossing and experimentation here which incorporate the sensibilities of hip-hop and ambient music as well as modern jazz.
Ganavya: Forgive Me My
by Chris May
London-based multi-reedist Shabaka Hutchings' interest in South and East Asian music, which recently manifested itself with his embarkation on an in-depth study of Japanese shakuhachi flutes, continues to spread its wings. Hutchings does not play on singer and composer Ganavya's meditative single “Forgive Me My," but he produced the track and it is released on his ...
Freddie Hubbard at the Jazz Cafe in London
by Rob Hancock
I love the sound of the trumpet and flugelhorn, above all else in jazz. Hey day players like Miles, Morgan, Dorham and Gillespie are some of my favourites, but no one has left a bigger mark on my ears than Freddie Hubbard. Whether it be his firing early 60's works with the Messengers, his countless Blue ...
Noah Haidu: Standards
by Jack Bowers
Forty years after the renowned Standards Trio comprised of Keith Jarrett, Gary Peacock and Jack DeJohnette released its debut album, Standards, Vol. 1, New York-based pianist Noah Haidu pays his respects with a similarly named enterprise (sans volume number) featuring bassists Buster Williams or Peter Washington and drummer Lewis Nash, with saxophonist Steve Wilson making it ...
A Conversation with Don Braden
by AAJ Staff
This interview was first published in two parts at All About Jazz on May 1999. In this interview, we chat with Don Braden about his views on MP3 files, his relationship with Bill Cosby, the impact Kenny Kirkland had on his latest album for RCA Victor, Fire Within, and a host of other related ...
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