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Taylor's Universe: Kind of Red
by Mark Redlefsen
Leader of the band Taylor's Universe, multi- instrumentalist, composer, producer, and record label owner Robin Taylor hails from Denmark. With the title of his 30th release, Kind Of Red, Taylor cleverly tips a hat to the iconic album Kind of Blue (Sony, 1959) by trumpeter Miles Davis, and possibly also to King Crimson's Red (Atlantic, 1974). ...
Brian Patneaude: All Around Us
by Andrew J. Sammut
An active part of the jazz scene in New York's Capital District, Brian Patneaude's fifth album shows off his originality and depth as a tenor saxophonist and composer. The six original compositions and two covers on All Around Us were “inspired by people, places and events" in Patneaude's life, adding a personal gravity to the assured ...
Copenhagen Jazz Festival Announces Headline Acts
Legendary saxophonist Wayne Shorter (US), sitar virtuoso Anoushka Shankar (IN), and afrobeat inventor Tony Allen (NG) will all be playing at this summer’s Copenhagen Jazz Festival. Also, three new festival posters have been revealed. The poster has been an important part of Copenhagen Jazz Festival since 1980. Every year a new artist is commissioned to design ...
Esperanza Spalding: Radio Music Society
by Mark F. Turner
If there's to be an unofficial ambassador for contemporary jazz then Esperanza Spalding could fit the bill nicely. The young bassist, singer, and composer brings a fresh exuberance marked by prodigious talent; honoring those who have paved the way, yet seeking to pursue her own path. Whether receiving the 2011 Grammy for “Best New Artist" or ...
Dmitry Baevsky: The Composers
by David A. Orthmann
In some respects, The Composers is cut from the same cloth as Down With It, Dmitry Baevsky's 2010 release on Sharp Nine. The alto saxophonist selects seldom-played compositions from the jazz canon and executes thoughtful interpretations, so that the heads of tunes like Cedar Walton's “Ojos de Rojo," Wayne Shorter's “Mister Chairman," and Duke Ellington's “Self ...
Esperanza Spalding: Radio Music Society
by Jeff Winbush
When you've been invited to perform for the President of the United States, turned heads as the bass-playing beauty in the Academy Awards house band, toured with Prince and beat out teen dream Justin Bieber for the Grammy Award for Best New Artist, you're having a very good run in the spotlight--and it could turn your ...
Don Alias and Miles Davis
by Melanie Futorian
[Editor's Note: Cymbalism is an All About Jazz column featuring excerpts from an upcoming autobiography on the late, great percussionist Don Alias, co-written by Melanie Futorian, his companion for the last seven years of his life. This installment covers Alias' work on trumpeter Miles Davis' iconic Bitches Brew (Columbia, 1970)]It was [drummer] Tony Williams ...
Maxine Gordon: The Legacy of Dexter Gordon
by Victor L. Schermer
Legendary tenor saxophonist Dexter Gordon was a focal point of the bebop and hard bop revolutions. Later in his career, he achieved the status of an American icon with his lead role in Bernard Tavernier's 1986 film, Round Midnight, which garnered him an Academy Award nomination. His “homecoming" in New York City, after living in Europe ...
Take Five With Alan Blackman
by AAJ Staff
Meet Alan Blackman: Baltimore-based pianist and award-winning composer Alan Blackman and his ensembles have performed at Blues Alley, the Kennedy Center, and many festivals and venues from San Francisco to New York. Recent performances have been with Donny McCaslin, Vardan Ovsepian, Ferenc Nemeth, Mike Pope, Warren Wolf, Tim Green, Alex Norris, and Sunna Gunnlaugs, ...
Mike Moreno: Another Way
by Mark F. Turner
Though it's difficult to stand out in a climate where new names appear almost daily, Mike Moreno has proven to be one of the more identifiable young jazz guitarists in recent years. At home in a number of settings, his fluid style has been found in the abstract hip hop styling of Q-Tip's The Renaissance (Universal ...
