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3

Article: Album Review

Vincent Chancey Trio: The Spell

Read "The Spell" reviewed by John Sharpe

by John Sharpe

It's not everyone who gets to be name-checked in the title of an album by Sun Ra, but Chicago-native Vincent Chancey inhabits a select club thanks to Taking A Chance On Chances (Saturn, 1977), (mis-)named after an improvised duet between his French horn and Ra's piano. As well as the Arkestra, Chancey's French horn has also ...

27

Article: Building a Jazz Library

Strata-East: Seizing the Time

Read "Strata-East: Seizing the Time" reviewed by Chris May

by Chris May

Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...


About Warren Smith

Results for pages tagged "Warren Smith"...

Musician

Warren Smith

Born:

Warren Smith is an American jazz percussionist, known as a contributor to Max Roach's M'boom ensemble and leader of the Composer's Workshop Ensemble Smith was born in Chicago, Illinois, into a musical family; his father played saxophone and clarinet with Noble Sissle and Jimmy Noone, and his mother was a harpist and pianist. He studied clarinet under his father from age four. He graduated from the University of Illinois in 1957, then took a master's in percussion at the Manhattan School of Music in 1958. One of his earliest major recording dates was with Miles Davis as a vibraphonist in 1957

Album

Théâtre Garonne, 2008

By David S. Ware

Label: AUM Fidelity
Released: 2019
Track listing: Crossing Samsara part 1; Crossing Samsara part 2; Durga; Reflection; Namah; Samsara (reprise).

7

Article: Album Review

David S. Ware Quartet: Théâtre Garonne, 2008

Read "Théâtre Garonne, 2008" reviewed by Mark Corroto

by Mark Corroto

In 2008, when this live concert was recorded, saxophonist David S. Ware was ill, but concert goers would have no idea of this fact. He has been suffering, since 1999 from kidney failure and eventually had a kidney transplant in 2009. Ware and the latest configuration of his quartet traveled to Toulouse, France, just a few ...

10

News: Event

Jazz At Atlas Kicks Off 2019 Season With Thumbscrew

Jazz At Atlas Kicks Off 2019 Season With Thumbscrew

This cooperative project features a trio of gifted musicians and composers—guitarist Mary Halvorson, bassist Michael Formanek and drummer/percussionist Tomas Fujiwara—performing their own compositions and selected standards with an exacting prowess wed to a liberated swing that is glorious to behold. Thumbscrew performs on Saturday, March 30 at 8 PM. Tickets are $20 in advance and $25 ...

Article: Multiple Reviews

Joseph Daley: Tuba Maestro!

Read "Joseph Daley: Tuba Maestro!" reviewed by Giuseppe Segala

by Giuseppe Segala

Ci sono musicisti che con il proprio suono e con il proprio carattere hanno saputo dare un'impronta a numerosi e differenti contesti, pur non apparendo in qualità di leader. Joseph Daley, solista eccellente di tuba ed eufonio (ma anche di trombone a pistoni), si mise in luce per l'agilità e la precisione del suo contributo, in ...

1

Article: Album Review

Michael Moss's Accidental Orchestra: Helix

Read "Helix" reviewed by Troy Dostert

by Troy Dostert

A longtime contributor to the New York jazz scene whose roots go back to Sam Rivers's loft era of the 1970s, clarinetist and composer Michael Moss has typically worked in a small-group context, especially via his most well-known ensembles, Four Rivers and the New York Free Quartet. But on Helix, he's got more ambitious goals in ...

6

Article: Album Review

David S. Ware Trio: Live in New York, 2010

Read "Live in New York, 2010" reviewed by Jakob Baekgaard

by Jakob Baekgaard

One night on earth David S. Ware was here. Blowing at the Blue Note on October 4, 2010, but it could have been October 4, 2090. Years ahead of his time or perhaps just outside of it, he took his alto saxophone and played. Fully formed compositions never named, but caught eternally on tape.

3

Article: Live Review

Edgefest 2017: Give the Drummers Some, Part 1-2

Read "Edgefest 2017: Give the Drummers Some, Part 1-2" reviewed by Troy Dostert

by Troy Dostert

Part 1 | Part 2 Edgefest Ann Arbor, MI October 18-19, 2017 When mid-October rolls around, many fans of avant-garde jazz and creative music prepare to converge on Ann Arbor, Michigan for their annual pilgrimage to the Kerrytown Concert House, home of the Edgefest festival. Now in its ...


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