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Lee Konitz: What True Improvising Is

by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. I've pretty much dedicated myself to trying to figure out what true improvising is," he says, as opposed to playing what you know and getting loose ...
Trish Clowes: From Shorter, Lovano and the Sphinx

by Bruce Lindsay
There doesn't seem to be an award for the best album title of the year anywhere in the wide world of jazz, but if there was then And In The Night-Time She Is There (Basho Records) would surely be a contender for 2012. The romantic and mysterious title belongs to the second album from saxophonist/composer Trish ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

by Mark Corroto
Super groups are, by their very nature, either bright shining stars or catastrophic exploding supernovae. Dream team basketball lineups get beat by upstarts, and the new Stallone/Schwarzenegger/Van Damme movie is sure to be a nonstarter. The reasons for the flops are usually chemistry and vision, both essential requirements.Same can be said for jazz groups. ...
Valby Summer Jazz 2012: Copenhagen, Denmark, July 6-15, 2012

by Jakob Baekgaard
Valby Summer JazzPrøvehallen in Valby and The Betty Nansen TheatreCopenhagen, DenmarkJuly 6-15, 2012 Good things tend to grow, at least when there's passion and dedication involved, and Valby Summer Jazz, which primarily takes place at the outskirts of Copenhagen in the suburb of Valby, is indeed a labor of love that ...
BAM: Bremen Art Music?

by Francesco Martinelli
[Editor's Note: It's been quite a few years since Italian writer, music educator and general provocateur Francesco Martinelli last contributed to All About Jazz. Having recently returned home from Jazzahead! 2012 in Bremen, and with the current debates about the meaning, future and relevance of the word jazz" fresh in his mind, Martinelli posits an alternate ...
New Thinking in Jazz Education: Lee Konitz and Jean-Michel Pilc

by Dan Bilawsky
The idea of making the mold while breaking the mold may seem paradoxical, but it's appropriate when exploring education. The education sector has become obsessed with standardization--in regard to everything from pedagogy and methodology to content--but nobody seems to address the fact that much of the content itself wouldn't exist if not for original thinkers who ...
NYC Winter Jazzfest, Day 1: January 6, 2012

by Daniel Lehner
Day 1 | Day 22012 NYC Winter Jazzfest, Day 1New York, NYJanuary 6, 2012 No one could argue that jazz didn't have a tumultuous 2011. For the better, bassist/vocalist Esperanza Spalding's Grammy for Best New Artist marked the first time a jazz musician was awarded that honor, and veteran tenor ...
SuperSax Me
by Jack Bowers
Back in the early 1970s bassist Buddy Clark and saxophonist Med Flory conceived a brilliant idea: to form a group (primarily a reed section with rhythm) that would use orchestrated arrangements of saxophonist Charlie Parker's transcendent bop solos as the basis for its music. As for a name, nothing less than SuperSax would suffice. The nine-piece ...
Jason Stein Quartet: The Story This Time

by Nic Jones
The two horns, bass and drums quartet is becoming a commonplace grouping even though it hasn't quite reached the saturation point of the piano-bass-drums trio. A consequence of this instrumentation is the obvious decline in novelty value and, indeed, the ability to catch the ear, but this is a leader and group only too aware of ...
Rodger Fox's Wellington Jazz Orchestra / Sammy Nestico-SWR Big Band / Gran Canaria Big Band

by Jack Bowers
Rodger Fox's Wellington Jazz OrchestraJourney HomeTbone Records2011 Alan Broadbent and Rodger Fox's Wellington Jazz Orchestra: a rendezvous that took many years to bring about and is clearly long overdue--but as the saying goes, better late than never (in this case, much better!). Broadbent, a Grammy-winning composer / arranger ...