Results for "Vocalist"

Lee Engele

Lee has been gaining more and more acclaim as a talented and hard-working vocalist in the region. Her recent gigs have included The Dakota, The Twin Cities Jazz Festival, and Hopkins Center for the Arts, as well as many of the local jazz venues. Lee was a participant in the 2008 edition of the prestigious Yale Cabaret Conference, and appeared at the Bloomington Center for the Arts in December 2009 with Debbie Duncan and Bruce Henry in a salute to the 60th anniversary of Birdland. Lee also has worked as Disc Jockey for the past 25 years, and has performed in radio, voice-overs, theater, and with a number of local Big Bands

Accent

Accent: 6 Singers, 5 Countries, 1 Vocal Supergroup A "Stealth" Jazz Group, Accent Turns A Cappella Fans On to Jazz Harmony "Accent is the most amazing young vocal group on the planet! Great arrangers and singers, they come up with the most gorgeous harmonies, impeccable swing, grooves, feeling and pitch." - Jorge Calandrelli, Grammy Award-winning composer and arranger In the increasingly popular world of a cappella singing groups, Accent has carved out its own niche. Inspired by the wizardly jazz harmonies of TAKE 6 and, before them, The Hi-Lo's, the six singers of Accent, all of them accomplished arrangers and instrumentalists in their own right, decided to take their love of close-harmony jazz singing - the denser and more intricate the better - as far as it could go

Shamus Dark

Born: March 19, 1948

I've spent the last few years recording albums, making videos and performing in and around London, the far east and New York City. Most of the songs come from the 1930's, 40's and 50's, written by the great composers of the day; Cole Porter, Rogers and Hart, Hoagy Carmichael, Matt Dennis, Harold Arlen et al. But there are also songs by Elvis Costello and Joy Division. With the help of some great collaborating musicians and producers, I'm doing my best to bring some of these great old American songbook standards into the 21st century with the aid of digital technology.

Patrice Jégou

What do competition-level figure skating, classical vocal technique and an exuberant feel for jazz have in common? Only one thing. And her name is Patrice Jégou. Her new album, IF IT AIN’T LOVE - kicks off with a blazing a cappella rendition of “Lover Come Back to Me,” with Take 6’s Mark Kibble and Alvin Chea providing stunning, hard-swinging backup. From there Jégou leads us through a garden of delights — big-band romps with the Clayton-Hamilton Jazz Orchestra, sensuous string-kissed ballads arranged by Jorge Calandrelli, artfully crafted charts by Mike Lang and David Paich, and much more. But Jégou herself holds center stage, whether on the intimate keyboard-and-voice setting of “It Might Be You,” the spare elegance of Randy Newman’s “Losing You” or the show-stopping “I’m So Glad I’m Standing Here Today.” And when sharing the spotlight with gospel diva Táta Vega on “Yes We Can, Can,” and smooth crooner Javier Almaráz on “Remembrances,” she delivers a textbook lesson on duo performance. What’s most remarkable is that this music might never have happened if not for one remark made in passing by a colleague of hers, not many years ago. She had already accomplished much before that day

Carolyn Fitzhugh

Chicago native Carolyn Fitzhugh affectionately named “Songbird” by her adoring fans is a timeless song stylist who possesses the grace, elegance, and improvisational skills of the legends of yesteryear while capturing the attention and affection of all ages. Carolyn’s childhood home was filled with the music of a diverse assortment of music greats from Miles Davis, Oscar Peterson, John Coltrane and Ella Fitzgerald to Morgana King and Sarah Vaughn to Minnie Ripperton, Ray Charles and Earth, Wind & Fire! Carolyn began taking classical piano lessons at age 5 and soon after she started making up melodies on the piano, as she adds “my early days of composition.” It was now she felt the emotion to sing and play and soon after what would become a 3-octave voice was born, and the fire to sing, play the piano and entertain was lit never to extinguished! As Carolyn further reminiscences “In my teens, I fell in love with jazz piano and the captivating technique of the likes of Herbie Hancock, Oscar Peterson, Ahmad Jamal, Chick Corea, and McCoy Tyner quickly became my favorites.” In addition to those masters Carmen McRae, Shirley Horn, Joe Williams and Stevie Wonder are also influences on Carolyn and are collectively reflective in her writing and singing! With influences like these genius’ and her desire to shape her own sound Carolyn has become an innovative composer as her 5 exceptional compositions on her debut CD demonstrate

Mandy Lagan

Mandy Lagan was born in England and raised in Ridgetown, a small town in southwestern Ontario. She studied piano and sang in various choirs under the tutelage of her mother who was a piano teacher, organist and choir director. She eventually picked up a guitar and learned some chords so she could accompany herself singing songs she knew, as well as work on her own writing. After graduating from Mohawk College Music Department Mandy went to McMaster University and got her B.A. in music. She began taking herself seriously as a singer in 1990 when she moved out of Hamilton and into Toronto and formed a band in order to work on some of her favourite music as well as develop her own compositions. In 2002 she released her first CD, "I Thought About You", a collection of jazz standards and two originals

Janine Gilbert-Carter

Born: September 25, 1960

Janine Carter was introduced to gospel, Jazz and blues at a very early age by her parents and grandmother. This Pennsylvania native cannot remember a time when music was not a part of her very existence. She began her musical journey like so many contemporary artists as a member of the choir at her church in Aliquippa, PA. She also had the opportunity to expand on her solo performances as a member of the Bach Choir of PA which performed some of Broadways most exciting musicals. Janine continued to use the gift she was given to perform at various functions and special events until she relocated to the Washington, DC Metropolitan area in the summer of 1988

Kathryn Hopkins

Born: May 6

Kathryn (also known as Kat) is an interntaional Jazz Singer/Songwriter from Down Under. Born into a musical family with 2 of her family members – her late father Tony Hopkins (one of New Zealand’s legendary drummers) and brother Tim Hopkins (saxophonist, composer, entertainer) being professional musicians, music has always been in her blood. Starting at school performing in musicals and plays, she studied classical flute and piano, before moving onto jazz and took part in the school concert bands. Her ‘official’ start in musical theatre was with the Twelfth Night Theatre Company in Brisbane, Australia run by Gail Wiltshire followed by the Queensland Theatre Company, where she worked under Director, Alan Edwards and Musical Conductor, Brian Stacey

Michaela Rabitsch

Born: March 8, 1963

Michaela Rabitsch, singer, composer and Austria’s only female top jazz trumpet player is called a modern day female Chet Baker by the US magazine Jazzscene.
Vienna’s „first couple of Jazz“ - Michaela and her ingenious partner, composer and incredible fluid guitarist Robert Pawlik present a diversified and sophisticated musical experience extraordinaire, with their signature sound of Jazz spiced up with a touch of world.

The tunes root on the one hand in the melodic stiles of the Jazz tradition, like Hardbop, Swing, Modern Jazz, New Orleans Second Line and Blues, and, on the other hand, form fusions with elements of Indian, African or Latin American music. 

Julia Lashae

Born: July 22, 1969

What the critics are saying about Julia Lashae: #3 CD of 2003! “Warm, simple arrangements frame and complement Lashae’s angelic voice on an intimate program that exudes sophistication and charm. Her precise phrasing, pure tone and sunny disposition make “Introducing…Julia Lashae” the vocal event of the year.” -Keith Spera, The Times-Picayune, New Orleans “It’s refreshing to hear a modern jazz crooner who doesn’t sound like a B-grade Vegas vocalist. …The CD has found its way onto my player at various times, but mostly when seeking something soothing and calm