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Ellen Rowe Quartet: Wishing Well
by Raul d'Gama Rose
Ellen Rowe's uniquely modern sensibility echoes throughout Wishing Well. Rowe is a virtuoso pianist who blends the dreamy abstractions of nineteenth century impressionism with the nervous energy of a bebop player. She plays as she breathes--sometimes in shallow gasps indicating an extreme sense of urgency, and at other times in seemingly endless runs with dallying notes ...
Earl MacDonald: Re:Visions
by Mark Corroto
There is a reason that the saying, “keeping it fresh" is rarely uttered in the same sentence as “17-piece jazz orchestra"--because a large orchestra in the world of jazz tends to maneuver about as delicately as an army deploys. Well, that is unless your jazz army is under the direction of Earl MacDonald. He commands his ...
Resonance Records: Non-Profit Jazz Label with a Mission
by Samuel Chell
It's a story often heard before: musically, these are the best and worst of times. Only this time, in 2010, it seems different. Even as the pool of fresh talent expands, jazz continues to witness a dearth of venues along with the slump in CD sales. Uncounted numbers of talented musicians, young and otherwise, are reduced ...
Gerald Wilson Orchestra / Dallas Original Jazz Orchestra / University of North Texas Two O'Clock Lab Band
by Jack Bowers
Gerald Wilson Orchestra Detroit Mack Avenue Records 2009 Composer / arranger / ageless wonder Gerald Wilson, most of whose recent albums (Monterey Moods; New York, New Sound; Theme for Monterey; State Street Sweet) have been built around sectional themes, returns “home" on Detroit to paint an earnest musical ...
CD Release: "Backward Compatible" by Steve Shapiro & Pat Bergeson, Featuring Vocalist Annie Sellick
New York vibist Steve Shapiro and Nashville guitarist have released their third recording, Backward Compatible, on the Apria label. Also joining them once again is the fine jazz vocalist Annie Sellick. Respected studio musicians, Steve Shapiro & Pat Bergeson have worked with artists such as: Alison Krauss, Madeleine Peyroux, Steely Dan, Bill Frisell, Lyle Lovett, Bill ...
John Patitucci: Celebrating Jazz Heroes
by R.J. DeLuke
As sayings go, “One man's trash is another man's treasure" is pretty straightforward, especially for those enamored with garage sales. For lovers of jazz music, it may hold a bit more significance, for it played a fateful role in the life of one of today's superlative artists in the genre. John Patitucci is one ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
Posi-Tone Records
by Donald Elfman
Posi-Tone Records is an extraordinary anomaly in these times, an independent, thriving jazz label that continues to find new and established musicians and works continually to improve each aspect of production to release a final product of superior quality. As the market has changed the company has sought and accepted new ways to do business that ...
Hot Club of Detroit: Night Town
by Matthew Warnock
The Hot Club of Detroit's Night Town is a tour de force full of hard-swinging, toe-tapping arrangements of gypsy jazz standards and original compositions penned by members of the ensemble. Having won four Detroit Music Awards, Shannon Wade (bass), Carl Cafagna (clarinet), Evan Perri (guitar), Julien Labro (accordion) and Paul Brady (guitar) are setting their sites ...
Victor Feldman: Good Vibes (and Great Piano) from Britain
by Samuel Chell
In the mid-1950s, Victor Feldman was among the first British musicians successfully to relocate to the US, when he settled in Los Angeles. Becoming an outstanding “West Coast" pianist, Feldman was also a memorable vibraphonist. Reissues of three albums recorded in the US from 1957-61 showcase his abundant talent. Victor Feldman The Arrival of ...
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